Scheherazade: a London night's entertainmentWarden, Florence
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Scheherazade: a London night's entertainment
Warden, Florence
English fiction -- 19th century
Then an awkward silence fell upon everybody, for, vulgarly speaking,
the cat was out of the bag. And the conversation was kept up with
difficulty until, descending the cliff, they all came to the little
landing-pier, where a small boat was waiting with Clarence Massey
standing up in it, waving his hat frantically and beaming with
unspeakable enthusiasm. Neither George nor Nouna asked any questions
now; and they all got into the little boat in a state of surprising
silence, and were rowed straight out towards the beautiful yacht
without anybody’s remarking upon the strangeness of the circumstance.
But as they drew near her, Nouna caught sight of the name, painted in
bright gold letters on the stern--“Scheherazade.” She touched her
husband’s arm, and made him read it too. Before he could speak, they
were close under the yacht, and Lord Florencecourt was leading the way
on board. Nouna climbed up next like a cat, and the rest followed
quickly.
Then Ella took the young wife by the hand, and, leaving the three men
on the deck, led her on a tour of inspection. The yacht was a tiny
floating palace, fitted up by the dainty taste of one woman to suit
the luxurious fancy of another. The rooms were hung with rich
tapestry, and with delicate China silks embroidered in gold and pale
colours. The woodwork was painted with birds and flowers on a
background of faint grey landscape. The bed-room was fitted up with
satin-wood, and hung with rose-coloured silk; while in order that
George might have a corner better suited to masculine taste in this
dainty little craft, a very small room, dark with old oak and
serviceable leather, had been appointed for him as a study. Every
corner of the yacht held something beautiful and curious: skins of
white bears, mounted in maroon velvet; carvings in ivory, securely
fixed on dark brackets that showed off their lacelike outlines;
treasures in bronze, in delicate porcelain, in exquisitely tinted
glass from Salviati’s, met the eyes at every turn. The whole
furnishing and fitting of the little vessel, down to the choice of
silver-gilt teaspoons from Delhi and a lamp which was said to have
been dug up at Pompeii, had clearly been a labour of love.
Nouna was overwhelmed; she walked along with her hand in Ella’s,
scarcely uttering a sound, until at last she heard the words whispered
in her ear: “This is a present for you--all for you, with my love. You
are to make good use of it, and be very happy in it. No”--she stopped
Nouna, who was breaking into tears, and incoherent, passionate
thanks--“you may thank me when you and your husband both come sailing
back strong and rosy and well.”
Nouna smiled at her with glistening eyes as she put her little hands
round the girl’s shoulders.
“I can’t thank you, I can scarcely try. You were born to be a good
fairy to everybody. Kiss me, kiss me hard, and give me some of your
own sweetness that I may be a better wife.”
Public-domain text, read in full here on John Shaqi.
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