Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.Freeman, Kenneth J. (Kenneth John)
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Schools of Hellas: An Essay on the Practice and Theory of Ancient Greek Education from 600 to 300 B. C.
Freeman, Kenneth J. (Kenneth John)
Education, Greek
The attitude of the philosophers towards music will be discussed
elsewhere. Plato’s view may be summed up in the words which he puts in
the mouth of Protagoras the Sophist.[318] “The music-master makes
rhythm and harmony familiar to the souls of the boys, and they become
gentler and more refined, and having more rhythm and harmony in them,
they become more efficient in speech and in action. The whole life of
Man stands in need of good harmony and good rhythm.” Aristotle’s
attitude is briefly this. “Music is neither a necessary nor a useful
accomplishment in the sense in which Letters are useful, but it
provides a noble and worthy means of occupying leisure-time.”[319]
* * * * *
Aristotle mentions that in his day some added drawing and painting to
the three parts of the course.[320] It was not universal, like these,
and it does not seem to have started till the fourth century. In the
_Republic_ and _Laws_ Plato does not attack and criticise it among the
other educational subjects; but it plays so prominent a part in the
_Republic_ that it is obvious that the philosopher regarded it as a
dangerous enemy to the views which he wished to spread. It is
noticeable that the discussion of Art comes in as an after-thought, in
Book X. May it not be inferred that when Plato wrote the earlier
books, drawing and painting were not yet in vogue in the schools, but
they became popular before he had finished his great work?
In Periclean Athens the possibilities of artistic training had
certainly existed. In the _Protagoras_,[321] as an instance in some
argument, it is suggested that the lad Hippokrates might “go to this
young fellow who has been in Athens of late, Zeuxippos of Heraklea.
Every day that he was with him he would improve as an artist.” Earlier
in the same dialogue Sokrates remarks that his friend might go to
Polukleitos or Pheidias, and pay to be taught sculpture.[322] The
large numbers of boys who became apprentices to the potters at Athens
must have learned line-drawing and designing and painting from the
earliest times. But art probably did not become a usual part of a
liberal, as distinct from a technical, education till the middle of
the fourth century.
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