The retina is added to this by the outgrowth of the wall of a portion of the brain into a sort of bag, or sac, with a narrow neck, the convex bottom of which is turned outwards, or towards the crystalline lens. As the development of the eye proceeds, the convex bottom of the bag becomes pushed in, so that it gradually obliterates the cavity of the sac, the previously convex wall of which becomes deeply concave. The sac of the brain is now like a double nightcap ready for the head, but the place which the head would occupy is taken by the vitreous humour, while the layer of nightcap next it becomes the retina. The cells of this layer which lie farthest from the vitreous humour, or, in other words, bound the original cavity of the sac, are metamorphosed into the rods and cones. Suppose now that the sac of the brain could be brought back to its original form; then the rods and cones would form part of the lining of a side pouch of the brain. But one of the most wonderful revelations of embryology is the proof of the fact that the brain itself is, at its first beginning, merely an infolding of the epidermic layer of the general integument. Hence it follows that the rods and cones of the vertebrate eye are modified epidermic cells, as much as the crystalline cones of the insect or crustacean eye are; and that the inversion of the position of the former in relation to light arises simply from the roundabout way in which the vertebrate retina is developed. Thus all the higher sense organs start from one foundation, and the receptive epithelium of the eye, or of the ear, is as much modified epidermis as is that of the nose. The structural unity of the sense organs is the morphological parallel to their identity of physiological function, which, as we have seen, is to be impressed by certain modes of motion; and they are fine or coarse, in proportion to the delicacy or the strength of the impulses by which they are to be affected. In ultimate analysis, then, it appears that a sensation is the equivalent in terms of consciousness for a mode of motion of the matter of the sensorium. But, if inquiry is pushed a stage farther, and the question is asked, What then do we know about matter and motion? there is but one reply possible. All that we know about motion is that it is a name for certain changes in the relations of our visual, tactile, and muscular sensations; and all that we know about matter is that it is the hypothetical substance of physical phenomena—the assumption of the existence of which is as pure a piece of metaphysical speculation as is that of the existence of the substance of mind.