Science from an Easy ChairLankester, E. Ray (Edwin Ray), Sir
History
Science from an Easy Chair
Lankester, E. Ray (Edwin Ray), Sir
Natural history; Science
In mediæval, as well as in earlier times, marvellous beasts were brought
into imaginary existence by the somewhat unscrupulous enterprise of an
artist in giving pictorial expression to the actual words by which some
traveller described a strange beast seen by him in a foreign land. Thus
the “unicorn,” which was really the rhinoceros, was seen by travellers
in the earliest times, and was described as an animal like a horse, but
with a single horn growing from its forehead. The heraldic draughtsman
accordingly takes the spirally twisted narwhal’s tusk, brought from the
northern seas by adventurous mariners (the narwhal being called “the
unicorn fish”) as his unicorn’s horn, and plants it on the forehead of a
horse, and says, “Behold! the unicorn.” Meanwhile the real “unicorn,”
the rhinoceros, became properly known as navigation and Eastern travel
extended, and true unicorns’ horns, the horns of the rhinoceros, richly
carved and made into drinking cups, not at all like the narwhal’s tusk,
were brought to Europe from India. One was sent to Charles II. by “the
Great Sophy,” and handed over to the Royal Society by the King for
experiment. These horns were asserted to be the most powerful antidote
or destroyer of poison, and a test for the presence of poison in drink.
There was no truth whatever in the assertion, as the Royal Society at
once showed. Yet they were valued at enormous prices, and pieces were
sold for their weight in gold. A German traveller in the time of Queen
Elizabeth saw one which was kept among the Queen’s jewels at Windsor,
and was valued, according to this writer, at £10,000.
Credulity, fancy, and hasty judgment are accountable for the belief in
mythical and legendary monsters. Yet they have great interest for the
scientific study of the growth of human thought and of the relationships
of the races of mankind. They are often presented to us in beautiful
stories, carvings, or pictures, having a childlike sincerity and a
concealed symbolism which give to the wondrous creatures charm and human
value.
XIV
OYSTERS
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