In building their webs, as in many other small points, Lucy and Eliza
showed from the first no inconsiderable personal differences. Lucy
began hers by spinning a long line from her spinnerets, and letting the
wind carry it wherever it would; while Eliza, more architectural in
character, preferred to take her lines personally from point to point,
and see herself to their proper fastening. In either case, however, the
first thing done was to stretch some eight or ten stout threads from
place to place on the outside of the future web, to act as _points
d'appuy_ for the remainder of the structure. To these outer threads,
which the spiders strengthened so as to bear a considerable strain by
doubling and trebling them, other thinner single threads were then
carried radially at irregular distances, like the spokes of a wheel,
from a point in the centre, where they were all made fast and connected
together. As soon as this radiating framework or scaffolding was
finished, like the woof on a loom, the industrious craftswoman started
at the middle, and began the task of putting in the cross-pieces or
weft which were to complete and bind together the circular pattern.
These she wove round and round in a continuous spiral, setting out at
the centre, and keeping on in ever-widening circlets, till she arrived
at last at the exterior or foundation threads. How she fastened these
cross-pieces to the ray-lines I could never quite make out, though I
often followed the work closely from inside through the pane of glass
with a platyscopic lens; for, strange to say, the spiders were not in
the least disturbed by being watched at their work, and never took the
slightest notice of anything that went on at the other side of the
window. My impression is, however, that she gummed them together,
letting them harden into one as they dried; for the thread itself is
always semi-liquid when first exuded.
Public-domain text, read in full here on John Shaqi.
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