It will be observed that the time of exposure also depends on the thickness of the paper used for the original. If, however, the weather is dark, it requires from 30 to 50 minutes for the exposure. It will be observed that if the temperature is above 25° C. (about 80° Fahr.), the sheets of glass should be kept very cool and be less dried; otherwise, when exposed the sheets are instantly metallized, and the reproduction cannot take place. The same inconvenience takes place if the temperature is beneath 5° C. (41° Fahr.). In this case the sheets should be kept warm, and care should be taken not to expose the frame to the open air, but always behind a glass window at a temperature of from 14° to 18° C. (about 60° Fahr.). The time necessary for the exposure can be ascertained by taking out one of the many pieces of glass, applying to the sensitive surface a vitrifiable color, and observing whether the color adheres well. If the color adheres but slightly to the dark, shady portions of the image, the exposure has been too long, and the process must be recommenced; if, on the contrary, the color adheres too well, the exposure has not been sufficient, the frames must be closed again, and the exposure continued. When the frame has been sufficiently exposed, it is taken into the dark room, the sensitized pieces of glass laid on a plate of glass or marble with the sensitive surface turned upward, and the previously prepared vitrifiable color strewed over it by means of a few light strokes of a brush. This powder does not adhere to the parts of the picture fully exposed to light, but adheres only to the more or less shady portions of the picture. This operation develops on the glass the image as it is on the paper. Thirty to 40 grammes of nitric acid are added to 1,000 grammes of wood-spirit, such as is generally used in photography, and the prepared pieces of glass are dipped into the bath, leaving them afterward to dry. If the bath becomes of a yellowish color, it must be renewed. This bath has for its object to remove the coating of bichromate, so as to allow the color to adhere to the glass, from which it has been separated by the layer of glucose and bichromate, which would prevent the vitrification. The bath has also for its object to render the light parts of the picture perfectly pure and capable of being easily retouched or painted by hand. The application of variously colored enamels and the heating are then effected as in ordinary glass painting. The same process may be applied to marble, wood, stone, lava, canvas prepared for oil painting, earthenware, pure or enameled iron. The result is the same in all cases, and the process is the same as with glass, with the difference only that the above named materials are not dipped into the bath, but the liquid is poured over the objects after the latter have been placed in an inclined position. * * * * * PREPARATION OF HYDROGEN SULPHIDE FROM COAL-GAS.