The stereoscope, such as we know it, presents the inconvenience of being incapable of being used by but one person at once. Several inventors have endeavored to render the stereoscopic images visible to several spectators at the same time. In 1858, Mr. Claudet conceived the idea of projecting the two stereoscopic images upon ground glass in superposing them. The relief was seen, it appears, but we cannot very well explain why; the idea, however, had no outcome, because the image, being quite small, could be observed by but three or four persons at once. It was Mr. D'Almeida, a French physicist, who toward the same epoch solved the problem in a most admirable manner, and we cannot explain why his process (that required no special apparatus) fell into the desuetude from which Mr. Molteni has just rescued it and obtained much success. [Illustration: STEREOSCOPIC PROJECTIONS] This is in what it consists: The impression of the relief appears when each eye sees that one of the two images which presents the perspective that it would perceive if it saw the real object. If we take two transparent stereoscopic images and place each of them in a projection lantern, in such a way that they can be superposed upon the screen, we shall obtain thereby a single image. It will always be a little light and soft, as the superposition cannot be effected accurately, the perspective not being the same for each of them. It is a question now to make each eye see the one of the two images proper to it. To this effect, Mr. D'Almeida conceived the very ingenious idea of placing green glass in the lantern in front of the image having the perspective of the right eye, and a red glass in front of the other image. As green and red are complementary colors, the result was not changed upon the screen; there was a little less light, that was all. But if, at this moment, the spectator places a green glass before his right eye and a red one before his left, he will find himself in the condition desired for realizing the effect sought. Each eye will then see only the image responding to the coloration chosen, and, as it is precisely the one which has the perspective proper to it, the relief appears immediately. The effect is striking. We perceive a diffused image upon the screen with the naked eye, but as soon as we use one special eye-glass the relief appears with as much distinctness as in the best stereoscope. One must not, for example, reverse his eye-glass, for if (things being arranged as we have said) he looks through a red glass before his right eye, and through a green one before his left, it is the image carrying the perspective designed for the right eye that will be seen by the left eye, and reciprocally. There is then produced, especially with certain images, a very curious effect of reversed perspective, the background coming to the front.