The second instrument, which is of the same nature as the cubical sun dial--that is to say, with horary angle--is, unlike the latter, a true trinket, as interesting as a work of art as it is as an astronomical instrument. It is a little mandolin of gilded brass, and is shown of actual size in Fig. 2. The cover, which is held by a hook, may be placed in a vertical position, in which it is held by a second hook. It bears in the interior the date 1612. This is the only explicit historic datum that this little masterpiece reveals to us. Its maker, who was certainly an artist, and, as we shall see, also a man of science, had the modesty not to inscribe his name in it. [Illustration: FIG. 2.--SUN DIAL IN THE FORM OF A MANDOLIN, CONSTRUCTED IN 1612.] No. 2 of Fig. 3 represents the instrument open. It rests upon the tail piece and neck of the mandolin. The cover is exactly vertical. The bottom of the mandolin is closed by a horizontal silver plate, beneath which is soldered the box of a compass designed to put the instrument in the meridian, and carrying upon its face an arrow and the indications S. OR. M. OC., that is to say, "Septentrion" (north), "Orient" (east), "Midi" (south), "Occident" (west). One of the ends of the needle of the compass is straight, while the other is forked. It is placed in a position in which it completes the arrow, thus permitting of making a very accurate observation (Fig. 2, No. 3). Around the compass, the silver plate carries the lines of hours. It is perfectly adjusted, and held in place by a screw that traverses the bottom of the instrument. In front of the compass it contains a small aperture designed to permit of the passage of the indicating thread, which, at the other end, is fastened to the cover. The silver plate is not soldered, in order that the thread may be replaced when it chances to break. On the inner part of the cover are marked in the first place the horary lines, traversed by curves that are symmetrical with respect to the vertical and having the aspect of arcs of hyperbolas. At the extremity of these lines are marked the signs of the zodiac. At the top, a pretty banderole, which appears at first sight to form a part of the _ensemble_ of the curves, completes the design. Such is this wonderful little instrument, in which everything is arranged in harmonious lines that delight the eye and easily detract one's attention from a scientific examination of it. Let us enter upon this drier part of our subject; we shall still have room to wonder, and let us take up first the higher question. [Illustration: FIG. 3.--DIAGRAM EXPLANATORY OF THE MANDOLIN SUN DIAL.]