Scientific American Supplement, No. 829, November 21, 1891Various
Science
Scientific American Supplement, No. 829, November 21, 1891
Various
Science -- Periodicals
SECOND DEGREE OF CONVENTIONALISM, in which all parts are
represented: (c) By a reduction to Monochrome of color, with
Gradation (_only_) remaining; (d) By reduction to Monochrome
of White and Black, with Gradation (_only_) remaining (see Sec.
16).
THIRD DEGREE OF CONVENTIONALISM, in which all parts are
represented: (e) By reduction to a Flat-tint of one pigment
on a ground of another; (f) By reduction to a Flat-tint of
White on Black, or _vice versa_ (see Sec. 17).
ULTIMATE CONVENTIONALISM, in which all parts are
represented; (g) By reduction to Outline of several
pigments; (h) Reduction to Outline of one pigment (see Sec.18).
Inasmuch as Realism ceases so soon as any reduction in the three
qualities (of color, gradation, and shadow) is introduced; and the
treatment becomes more Conventional in each method after the
first--these are classified under the heading of CONVENTIONALISM.
[There is an analogous scale of reduction in Form, from the
Complete-relief of an isolated Statue to the Flatness of a
Floor-plate; but this does not belong to the present subject.]
* * * * *
THE CYCLOSTAT.
The various processes commonly employed for the observation of bodies
in motion (intermittent light or vision) greatly fatigue the observer,
and, as a general thing, give only images, that are difficult to
examine. We are going to show how Prof. Marc Thury, upon making
researches in a new direction, has succeeded in constructing an
apparatus that permits of the continuous observation of a body having
a rapid rotary motion. The principle of the method is of extreme
simplicity.
[Illustration: FIGS. 1, 2, AND 3.--DIAGRAMS EXPLANATORY OF THE
PRINCIPLE OF THE CYCLOSTAT.]
Let us consider (Fig. 1) a mirror, A B, reflecting an object, C D, and
revolving around it: when the mirror will have made a half revolution,
the image, C' D', of the object will have made an entire one. The
figure represents three successive positions of the mirror, distant by
an eighth of a revolution. The structure of the image shows that it
has made a quarter revolution in an opposite direction in each of its
positions. But if (Fig. 2) the body itself has revolved in the same
direction with an angular velocity double that of the mirror, its
image will have described a circle in remaining constantly parallel
with itself. The image will be just as insensible as the object
itself; but it is very easy to bring it back to a state of rest.
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