"A striking evidence of the waywardness of destiny is afforded by the experience of this artist, if we pass at once from this early and hopeful moment to a more recent incident. He then aimed at renown through devotion to the beautiful; but it would seem as if the genius of his country, in spite of himself, led him to this object, by the less flowery path of utility. He desired to identify his name with art, but it has become far more widely associated with science. A series of bitter disappointments obliged him to "coin his mind for bread", for a long period, of exclusive attention to portrait painting, although, at rare intervals, he accomplished something more satisfactory. More than thirty years since, on a voyage from Europe, in a conversation with his fellow passengers, the theme of discourse happened to be the electromagnet; and one gentleman present related some experiments he had lately witnessed at Paris, which proved the almost incalculable rapidity of movement with which electricity was disseminated. The idea suggested itself to the active mind of the artist, that this wonderful and but partially explored agent might be rendered subservient to that system of intercommunication which had become so important a principle of modern civilization. He brooded over the subject as he walked the deck, or lay wakeful in his berth, and by the time he arrived at New York, had so far matured his invention as to have decided upon a telegraph of signs, which is essentially that now in use. After having sufficiently demonstrated his discovery to the scientific, a long period of toil, anxiety, and suspense intervened before he obtained the requisite facilities for the establishment of the magnetic telegraph. It is now in daily operation in the United States, and its superiority over all similar inventions abroad was confirmed by the testimony of Arago and the appropriation made for its erection by the French Government.