In the art prospectus, printed on a glazed paper with many choice
illustrations, Chawley School was a perfect place. The school, once
a manor, celebrated for its architectural beauty, was situated in a
magnificent park of five acres, with an ornamental lake and a drive
one mile long. The gardens in front of the house were extensive and
well kept. One of the illustrations showed fifty small boys, all
dressed alike, in grey shorts and blue flannel jackets, with grey
socks with red tops, and straw hats with red bands, squatted on the
splendid lawn, all showing bended bare knees and round happy faces.
In their midst were three masters, one middle-aged and two quite
young, and a lady. The letterpress under this charming picture of
sunlit foliage and smiling humanity, said "Afternoon Tea." The
prospectus also mentioned the covered swimming pool in the grounds,
the boys' own garden, the large airy dormitories and class rooms. It
then drew rapturous attention to the staff. The school was run by
the Rev. Shayle Tobin, M.A., Scholar of Balliol College, Oxford, with
a double first, a blue for cricket, and for some years famous as a
half-back.
One Sunday morning, six head boys, conscious of leadership and the
great world of a public school approaching, shuffled their feet in
the Manor pew in the village church. Behind them in other pews sat
other little boys, more angelic in appearance and devilish in action.
They were all dressed alike, in black Eton jackets, white collars,
grey trousers and shoes. Even at the tender age of ten to thirteen
their faces gave promise or otherwise. The new young assistant
master who sat guarding them in the third pew found himself studying,
during the dreary sermon, the shapes of the heads ranged in front of
him like turnips on a table. There were long heads, round heads,
oval, pointed, blunt, flat and dinted. Handsome, well-made, ugly,
emaciated, intelligent, stupid, good-natured, deceitful, mischievous
and lovable. John Dean ranged up and down the row. This was his
first Sunday morning in church. It was his Sunday on duty; the other
assistant master had gone into Southampton.
The young assistant master was not the only critical person letting
his thoughts wander from the Harvest Festival Sermon. John gazed
abstractedly at the figure of the Rev. Samuel Piggin, ringed round
with bunches of carrots, a few grapes and six tomatoes balanced on
the top of a sheaf of wheat, which demonstrated God's bounty, despite
a ruinously wet summer and a harvest, half of which lay rotting in
the fields.
Public-domain text, read in full here on John Shaqi.
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