"Sure there's no peace in a basement kitchen," she moaned, wiping her
hands dry after peeling potatoes for the evening meal. It was no use
expecting Annie to answer the bell; she was on the fourth floor
making the young gentlemen's beds, and lost that moment in
contemplation of a gaudy pair of pyjamas. So while Annie speculated
on the cost of a blouse made out of the same silk, Mrs. Perdie
climbed the stairs and opened the door to another exquisite young
man. But she had a trained eye, and the first words of enquiry told
her that this was the genuine article, the product which Mrs. Perdie,
proud of being a connoisseur by virtue of seventeen years' service in
the best families, reverenced and made adjustable terms for. The
mention of Miss Piggin's name immediately confirmed her impression.
Warmly she invited the young gentleman into the drawing room,
hastening to draw up the Venetian blinds and apologising for her
appearance.
"I'm not like this of a night-time. You see, when they are all out I
give a hand to the maid." Then she was silent a space, while she
absorbed the vision of the young man seated before her. A visit from
Phoebus Apollo himself--the original of the plaster statue on the
shelf over the aspidistra--would not have silenced her so effectively.
"I knew at once he was of quality," she confided to Annie later.
"His hands, gloves and shoes--you can never go wrong there. You
can't be sure of accent. Some people are regular parrots. And he
was that shy I could have hugged him. Didn't like to ask how much,
he didn't, or what it included. Different to that brazen pair on the
fourth floor."
The interview was indeed somewhat painful to John. He had heard
warning stories of the rapacity of landladies, of their dirty rooms,
bad food and subtle extras. The most familiar jokes were based on
the experiences of unfortunate lodgers. He had expected to find Mrs.
Perdie rat-faced, with a withered neck and untidy wisps of hair.
This round-faced woman with the pleasant smile and a straight-forward
air was not the original of the caricatures; moreover he saw no
cringing cat. There was not even a bunch of wax grapes under a glass
dome, which Tod assured him monopolised the mantelpiece in all
boarding houses.
Public-domain text, read in full here on John Shaqi.
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