But above all, this stout little man of fifty knew men. It was he
who discovered Burton Phipps, their star descriptive writer, had sent
him off to Norway to intercept and expose the sham explorer of the
Pole. Jane, the finest parliamentary sketch writer in England, was
trained under his hands. Merton, the editor of the _Morning
Telegraph_, Layman, the President of the Board of Trade, Reddington,
chairman of the United Banks--all had groaned in their youth under
his merciless yoke of discipline. Loved and feared, he spared no
man, and he never encountered rebellion because he never pitied
himself. "Merritt's a devil," every one said--"but a wonderful
devil," they added.
He took John in hand. He made him compress a column of wonderful
writing to fifteen living lines. He made him re-dress a plain
narrative in a style that "tickled." He told John to use words of as
few syllables as possible. "All sub-editors are ignorant and full of
malice," he said, with traditional jealousy. He was never to worry
about what the public thought of this or that. "The public don't
think, they follow." It was a heartbreaking apprenticeship. The
fine column on the Kennel Show went into the waste paper basket.
"There's two murders come in and the subs say we're overset." He
ridiculed a "special" on teashop girls with rapier wit, told John he
wrote too fast to write well, and was as guileless as an infant in
arms. Once, with a brusque committal of a much-esteemed article, he
brought misery to John's eyes, saw it, and growled,
"You're a journalist all right, but your stalk's green," and with his
wry smile brought a lump into the youth's throat.
"Am I--am I giving satisfaction, Mr. Merritt?"
The chief reporter looked over the top of his glasses--
"The Chief sent you to me for occasional work. You've done a
banquet, a dog-show, four police courts, three inquests, two plays, a
poster show and several special enquiries. You've been running about
like a hare for ten days--you've not been an occasional, but a daily
event. And I don't waste my time!"
It was true, John was worked hard every day. Each night the diary
had the initials J.D. with a cryptic assignation following.
Sometimes he accompanied a senior, a note-taker, and looked out for a
descriptive paragraph; more often he was alone. On the night that he
had returned from his first play, after he had sent in his pencilled
copy to the subs room, he looked at the diary and almost jumped in
exultation.--"J.D. 7.15., Artists Union, Chelsea Theatre, half col."
Here was his chance!
IV
Public-domain text, read in full here on John Shaqi.
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