"_Poor old Marsh! I suppose we'll all go West sooner or later, but
somehow Scissors, I can't think of him as dead. He was so full of
life, such a tireless beggar and such a fund of fun in him. I'm
tormenting myself with the thought that I once behaved rather
silly--I cut him on a platform one day, before he joined up. I know
it hurt--I wanted it to--he told me so later when I ran across him
here. Thank God we put it right. Still, I hurt him, Scissors, and
he was too dear a chap for me to behave like that, and I'm coming to
think he was right,--the more I see of this bloody mess, with no end
to it, and all of us wondering why we stand it._"
John put the letter down, numbed. He watched a destroyer through the
porthole, passing on, saw a gull wheel and turn, with a silver glint
as the sun caught its wings, heard the siren of H.M.S. Oak, speeding
on its message-delivering mission; all these things went on about
him, yet they were in a picture; only he was the unreal thing. Marsh
gone! How could that be with the morning so fresh and active, with
so much life about? Surely he would walk in here, and with a laugh,
clap him on the shoulder, with something thoroughly absurd to say.
Dead? Why--fellows like Marsh could not die!
His thoughts flew away to the rambling vicarage. He saw Mrs. Marsh
sitting at the piano, under the lamplight; saw Mr. Marsh in his
study, pipe going, the "_Nation_" in his hands. Could life go on and
Marsh not be part of it?
Hours passed before the significance of it became clear to him, but a
week passed before he was able to take up a pen and write to Mrs.
Marsh. That terrible task performed, he felt now prepared for
anything. The world was falling to bits; nothing could be saved.
The bad news from the front affected him little. He wondered at the
gloomy faces of the men around him. Why be affected by the
inevitable? It would all be enacted as relentlessly as in a Greek
play. Another blow would come yet, of that he was sure; life was to
be wholly disintegrated.
Public-domain text, read in full here on John Shaqi.
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