But no, even now, the hush is broken. Out of the darkness it comes,
mysterious, stirring, portentous,--the sound of a thousand years, the
low insistent droning of a drum. Listening, the living hears its
mournful, suggestive music, even as he heard it in the khans at
Amasia. It rises, it falls, undulating. And if the dead hear, then
is the call familiar,--the call of a far-off night, when, under
almond blossom, a little white figure, dream-impelled, stepped
towards the moonlit stream.
Nearer it comes, nearer, nearer. The night winds bear it afar down
the ravine; it is the music of war, the music of a thousand
conquerors marching in brief glory out to the silence of death.
Gently the living man lowers the dead from his arms. He rises to his
feet, solitary and minute under the inquisition of the stars. The
tethered horse on the highway stirs and whinnies. The transport
column comes winding along the road of retreat. Nearer now, sound
the drums; soon the riderless horse will be found.
Suddenly, shattering the night, a shot rings out, doing violence to
the quiet of the valley. The echo ricochets from hill-top to
hill-top and faintly dies in the distance. The deep hush flows
again, the eddies of sound fade out on the pool of silence. Over the
grey crest of the eastern hills the moon climbs, pouring its light
into the ravine. A jackal cries and slinks away among the scrub; and
again, the insistent calling of a drum.
THE END
Public-domain text, read in full here on John Shaqi.
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