"Now boys, sit down, tea's ready," said Mrs. Vernley, pouring out.
John hoped every moment that Muriel would come in. He was
disappointed when she was not in the hall to meet him, and his heart
sank when he did not find her in the library. Perhaps she had gone
out for a walk. He did not want to ask, for Vernley might think he
had come simply to see her. It was not so, of course. He was glad
to be with Vernley again, but he could not help looking forward to
seeing Muriel, of whom he had been thinking through all those weeks
at school. The talk at the tea-table was chiefly political. Mr.
Vernley was discussing a coming election with Ribble, whom John
thought was the most picturesque old man he had ever seen. He had
long curly white hair, his eyes were surrounded by good-humoured
wrinkles, and he beamed through his spectacles. The mouth was thin
and compressed and had a ghost of a smile always hovering about it
John wondered where he had seen such a face before, and then suddenly
remembered a portrait of Thackeray in Mr. Fletcher's study. There
was a slight resemblance, and Mr. Ribble's character seemed to John
to be somewhat Thackerayish, for John was now half through "The
Newcomes," after a delighted discovery of "Pendennis" and "Henry
Esmond."
"Steer has just published a fine book," Mr. Ribble was saying. "I
think that little poem on Muriel is masterly."
John was alert immediately, and Vernley, eating cake and drinking tea
at the same moment, contrary to all laws, noticed John's interest.
"When's Muriel coming home, Mother?" he asked.
"I read you her letter this morning--to-morrow. You'll have to drive
the trap to the station to meet her in the afternoon."
"Why can't we motor?"
"I'm going to Brooklands in the morning," said Tod, "and I'm taking
Brown--so you'll have to drive the buggy."
"Oh, bother--I hate the old thing!"
But John would have ridden to Paradise in it if such a passenger as
Muriel had awaited him. To-morrow! He looked at Vernley, and it
occurred to him that his question had been what Mr. Fletcher, in
debates, had called a leading one. Vernley had never shown much
interest in John's affair, but he was not so unobservant as the
latter thought.
When the boys were changing for dinner that evening, and while John
was struggling with a bow, his glance fell upon a silver frame
standing on the dressing table. It contained a beautiful portrait of
Muriel who laughed at him out of the frame. John looked long at it,
and finally he realised that the photograph had been placed there for
his delight. It was on his dressing table and not on Vernley's.
Only one person could have placed it there.
"I say, Bobbie," said John, through the open door leading to his
friend's room.
"What?" asked Vernley, standing with one leg in his black trousers,
the other kicking its way through.
"You're a jolly decent sort--being here, you know--and in this room
again--and the--photograph--thanks awfully, old man."
Public-domain text, read in full here on John Shaqi.
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