The next afternoon Vernley and John harnessed the pony and were on
their way to the station to meet Muriel. Spring was in the air. The
hedgerows were beginning to burst into leaf, and the birds singing in
the lanes filled the country-side with hope. John's heart too was
singing. It was so good to be driving through the sunlit lanes with
a crisp air blowing in their faces, the friendly jog-trot of the pony
beating upon their ears. He looked at Vernley, the imperturbable
Vernley, who was flicking the pony's haunches with his whip. There
was something comfortably solid about him. He represented tradition
and the continuance of a settled conception of life. John had no
difficulty in planning Vernley's future; unlike his own, it depended
upon no caprice of Fate. He would go up to Oxford, travel, and then
settle down to the life of a country gentleman. He would grow stout
and red-cheeked, marry a healthy, unimaginative wife and be the
father of a crowd of noisy, well-developed children. The hunt, a
seat on the bench, June in London and August on the moors--that would
be Vernley's life. And he would not bother his head about political
or religious faiths. He would probably be a Conservative, despite
his father, who was a family renegade, and a Churchman.
Conservative, because caution and security were better than haste and
revolution, and the world on the whole was a jolly old place despite
Socialists and other disgruntled reformers. A Churchman, because he
knew so little about religion, and a respectable ready-made creed,
tried and found suitable as an accommodating policy of living was the
safest and easiest to adopt. Had he been born in Constantinople he
would have been a Mohammedan, in Bombay a Buddhist, in Hongkong a
Confucian, and in Paris a Catholic. And whichever creed environment
had caused him to accept, he would have been a credit to it,
faithfully observing its tenets, a respectable, unthinking,
clean-living fellow.
Vernley looked at John as the station came into sight; the far-away
expression was in his face, a curious detachment that often puzzled
Vernley. Sometimes John seemed to have left his body in another
world. It was uncanny and he remembered that Marsh, referring to
this habit, had called it "the Eastern touch," though what that quite
meant Vernley did not know.
"The train's signalled," said Vernley. "We shall just get there in
time. I wonder whether Muriel is bringing her friend back, she said
she might--a topping girl."
"I hope not--I don't want any one monopolising Muriel," said John
boldly.
"That's all right--I shall look after her friend--so don't you worry."
They pulled up just as the train ran into the station. Vernley sat
still in the trap.
"I must mind the pony,--you go in, Scissors!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account