Sin! How absurd that word seemed. Was there such a thing in the
presence of such perfection? John gazed at her as she sat at his
side in the car, talking to Bobbie, while Tod drove. She was alluded
to as a "notorious" woman, and as John thought of it, he almost
laughed aloud; what chance had all the dull, dingy, respectable women
at the side of this empress of life? John, of course, did not know
the details of the divorce case which had made her, for six weeks,
the most discussed woman in the world. The young peer who had ruined
his life and hers, and who, strangely enough, had found all the
sympathy while she took all the blame, who had declared himself
powerless in her presence. Perhaps so, but if so, why so
contemptible in that power, why the ready surrender of her character,
the confession of impotence? She was unfaithful, a married
experienced woman of thirty-five, and he a young boy of twenty-one.
But whose was the sacrifice? She should have known better, said the
world, she corrupted a boy. But if his was the ardour, if the
passion of first love and the lyrical song of youth were laid at her
feet, how could she resist, she a grown woman, who saw youth lapsing
like a spent wave on the shore of Life, one whose elderly husband
could not guess the tumult of nature beating at the doors of her
heart, about to close on summer for ever?
Seven hundred years ago, such love was romance; not even the dagger
of Giovanni had been needed to draw, with its blood, the tears and
sympathy of lovers of all ages for Paolo and Francesca. But
Francesca in the twentieth century must stand in the witness box for
legal luminaries to torture, must hear every nameless act given the
label of lust, and finally, hear Paolo fling the insult of age and
cunning into her face, and plead the ignorance of youth.
And then, when the whole dreadful nightmare was over, another
reappearance in a hopeless battle for her child; then peace again,
while the world whispers of the disappearance from society of the
beautiful Mrs. Graham. But Life would not leave her alone; five
years might have brought some healing to a heart that asked
forgetfulness. The suicide of the young Earl, with a last love
declaration, set the world by the ears again. So he loved her to the
last! She laughed almost. He had died for his love of her, said the
world. Women envied her the compliment of his suicide. He might
have loved her sufficiently to live, she reflected, and once more
passed through a nightmare of picture papers; herself as a bride,
bathing at Ostend; herself in the box; extracts from the trial; her
tears in the last scene, then--God in heaven!--her boy at school, not
in the first school he had had to leave, but another, which he would
now have to leave. And through it all, as if to excite envy and
scandal by obstinacy, her beauty grew, and she remained "the
beautiful Mrs. Graham."
Public-domain text, read in full here on John Shaqi.
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