English fiction -- Scottish authors; Scottish fiction; Short stories, English -- Scottish authors; Short stories, Scottish
Dancing was an additional available attainment of the age--so highly
coveted that the acquirement was often prosecuted under what might
have appeared insurmountable obstacles. The poor notable wives of
impecunious lairds dispensed with expensive dancing-masters, and
taught their children to dance the intricate country-dances of the day
by means of chairs set up in rows.[6] Lord Campbell, after he was
a distinguished, hard-working lawyer, went under an assumed name to
an evening dancing-school. Dr. Norman Macleod’s aunts were supposed
to have acquired dancing from an enterprising little governess,
heavily weighted with a wooden leg. Primrose was bent on refining and
perfecting Peggy’s dancing. She would make feints of practising her own
steps and of longing for a country-dance till she coaxed Peggy to stand
up with her at the head of a double row of chairs.
Balcairnie, who could go oftener to Drumsheugh now that Miss Ramsay
was there, caught the two girls in the middle of such a performance.
Primrose with long-winded assiduity was singing the tune of ‘The
White Cockade,’ in addition to taking her part in the dance. Peggy
was slightly holding out her gown as she was bidden, and sliding
bashfully, yet not without a certain natural grace, down the room at
the backs of the chairs. No gazer could have been more imbued with
keen pleasure and humble admiration, but, like Actæon, he had to
pay a penalty for his rash gazing. He was compelled by the autocrat
Primrose to join in dancing a ‘three-some reel,’ performed to his
whistling instead of her singing, while the last rays of the setting
sun were yet gilding the pear-tree round the western window of the
Drumsheugh drawing-room. When he was brought to the point he did his
duty gallantly, not withholding a single spring, shuffle or ‘hough!’
which was Primrose’s due, but capering his best, with the serious face
which most English and Scotchmen put on to qualify their gambols. It
might be some consolation for the effort of the exhibition to hear a
judge and mistress of the art like Primrose say graciously after the
deed was done, ‘Well danced, sir. I have often heard that there were
no reels to be seen far or near like those danced by you and Drumsheugh
and my cousin Peggy here, and now, though I am a poor substitute for
the laird, I know what the folk said was true.’
Public-domain text, read in full here on John Shaqi.
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