Scotland in Pagan Times; The Iron AgeAnderson, Joseph
History
Scotland in Pagan Times; The Iron Age
Anderson, Joseph
Scotland -- Antiquities
It is certainly a peculiar feature of an art so singularly decorative
that it was applied so largely to the ornamentation of objects that were
appropriated to the commonest uses. Enamelled horse-trappings of the
most finished and beautiful workmanship have frequently been found in
England, sometimes associated with the remains of chariots.[61] Not only
is the use of enamel in the decoration of such objects unknown beyond
the area of the British Isles, but the special system of design which
accompanies its use is also confined within that area. And it is an
interesting fact that there is historical evidence as to the nationality
of these remains. The only classical author who mentions the art of
enamelling is Philostratus, a Greek sophist in the household of Julia
Domna, wife of the Emperor Severus. In a notice of the variegated
trappings of the horses in a painting of a boar-hunt he accounts for
their peculiar appearance as follows:—“They say that the barbarians who
live in the Ocean pour such colours on heated brass, and that they
adhere to it, become as hard as stone, and thus preserve the designs
that are made in them.” It is matter of inference what people they were
who are thus styled “barbarians in the ocean,” but it is matter of fact
that horse-trappings of bronze (or brass) decorated with coloured
enamels have hitherto been found in the British Islands alone.
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Footnote 61:
They have been found at Polden Hill, near Bridgewater (_Archæologia_,
vol. xiv. p. 90); at Hagbourn Hill, Berkshire (_Archæologia_, vol.
xvi. p. 348); at Stanwick, Yorkshire, with chariot-wheels (York Volume
of the Archæological Institute, p. 10); at Arras and Hessleskew, in
the same county, with chariot-wheels and the bones of horses (_Ibid._
p. 28), and other places. A synopsis of the whole group of objects
characterised by this decoration is given by Mr. Franks in _Horæ
Ferales_ (4to., London, 1863), pp. 172, 196, and many figures in the
coloured plates (Plates XIV.-XX.).
-----
But this peculiar style of art was not confined to the decoration of
such objects as parts of military equipments or harness of horses. It
was largely employed in the decoration of personal ornaments and objects
of personal use.
[Illustration: Fig. 102.—Quern Stone of sandstone found at Balmaclellan
(14 inches in diameter).]
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