The demureness of the Scottish Highlander appears to have been in
large measure developed during last century, and especially since the
Disruption of the National Church and the domination of the Free Kirk.
At the time of the Reformation and for many generations afterwards,
he was wont on Sunday to play games--throwing the stone, tossing the
caber, shinty, foot-races, horse-races, together with music and dance.
It was formerly usual for him to be able to play on some musical
instrument; in older times on the harp and in later days on the pipes,
the fiddle, or at least the Jew’s harp. Writing in 1773 Mrs. Grant of
Laggan averred that in the Great Glen ‘there is a musician in every
house, and a poet in every hamlet.’ In 1811 she could still say, ‘there
are few houses in the Highlands where there is not a violin.’[26]
Whereever there was a good story-teller, or one who could recite the
old poems, songs, tales, legends, and histories of former times, the
neighbours would gather round him in the evenings and listen for hours
to his narratives. These customs continued in practice until the early
part of last century, and some of them still sparingly survive among
the Catholic islands of the Hebrides. But the Presbyterian clergy in
later times have waged ceaseless war against them. ‘The good ministers
and the good elders preached against them and went among the people and
besought them to forsake their follies and to return to wisdom. They
made the people break and burn their pipes and fiddles. If there was
a foolish man here and there who demurred, the good ministers and the
good elders themselves broke and burnt their instruments, saying
Better is the small fire that warms on the little day of peace
Than the big fire that burns on the great day of wrath.
The people have forsaken their follies and their Sabbath-breaking, and
there is no pipe and no fiddle here now.’[27]
[Sidenote: CLERICAL RAIDS AGAINST FIDDLES]
Public-domain text, read in full here on John Shaqi.
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