On the east side of the kingdom it has long been noted how tenaciously
the fisher folk cling to their old habits and customs. Red-tiled,
corby-stepped houses, thrusting their gables into the street, climbing
one above another up the steep slope that rises from the beach, and
crowned by the picturesque old church or town hall with its quaint
spire, give a picturesqueness to the shores of the Forth such as no
other part of the coast-line can boast. Then the little harbours with
their fleets of strong fishing boats, rich brown sails, ‘hard coils of
cordage, swarthy fishing nets,’ and piles of barrels and baskets, bear
witness to the staple industry of the inhabitants. The men are square,
strongly built, and bronzed with exposure to sea-air. The women may
be seen sitting in groups at their doors, mending nets or baiting the
lines for next night’s fishing. Such places as St. Monans, Pittenweem,
Anstruther, Crail, and St. Andrews, afford endless subjects for the
artist, whether he selects the buildings or their inhabitants. These
places lie outside the main lines of traffic through the country;
they have only in recent years been connected together by a line of
railway, and have thus been brought into direct touch with the outer
world. Thanks to this seclusion, they have preserved their antique
character, and their natives are among the most old-fashioned Scots in
the lowlands. An anecdote told by Dr. Hanna serves to illustrate the
state of backwardness in some of these coast villages. A clergyman,
in the course of a marriage ceremony at Buckhaven, repeated several
times to the bridegroom the question whether he would promise to be a
faithful, loving, and indulgent husband, but got no response from the
man, who remained all the while stiff and erect. At last a neighbour,
who had learnt a little more of the ways of the world, was so provoked
by the clownishness of his friend that he came forward, and giving him
a vigorous thump on the back, indignantly exclaimed, ‘Ye brute, can ye
no boo to the minister?’ Dr. Chalmers’ comment on this scene was--‘the
heavings of incipient civilisation!’[37]
[Sidenote: FORTH FISHER-FOLK]
Public-domain text, read in full here on John Shaqi.
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