The Sandwich Islands do not interest us very much; we live here, oppressed with civilisation, and look for good things in the future. But it would surprise you if you came out to-night from Honolulu (all shining with electric lights, and all in a bustle from the arrival of the mail, which is to carry you these lines) and crossed the long wooden causeway along the beach, and came out on the road through Kapiolani park, and seeing a gate in the palings, with a tub of gold-fish by the wayside, entered casually in. The buildings stand in these groups by the edge of the beach, where an angry little spitfire sea continually spirts and thrashes with impotent irascibility; the big seas breaking further out upon the reef. The first is a small house, with a very large summer parlour, or _lanai_, as they call it here, roofed, but practically open. There you will find the lamps burning and the family sitting about the table, dinner just done; my mother, my wife, Lloyd, Bell, my wife's daughter, Austin her child, and to-night (by way of rarity) a guest. All about the walls our South Sea curiosities, war clubs, idols, pearl shells, stone axes, etc., and the walls are only a small part of a lanai, the rest being glazed or latticed windows, or mere open space. You will see there no sign of the Squire, however; and being a person of a humane disposition, you will only glance in over the balcony railing at the merry-makers in the summer parlour, and proceed further afield after the Exile. You look round, there is beautiful green turf, many trees of an outlandish sort that drop thorns—look out if your feet are bare; but I beg your pardon, you have not been long enough in the South Seas—and many oleanders in full flower. The next group of buildings is ramshackle, and quite dark; you make out a coach-house door, and look in—only some cocoanuts; you try round to the left and come to the sea front, where Venus and the moon are making luminous tracks on the water, and a great swell rolls and shines on the outer reef, and here is another door—all these places open from the outside—and you go in, and find photography, tubs of water, negatives steeping, a tap, and a chair and an inkbottle, where my wife is supposed to write; round a little further, a third door, entering which you find a picture upon the easel and a table sticky with paints; a fourth door admits you to a sort of court, where there is a hen sitting—I believe on a fallacious egg. No sign of the Squire in all this. But right opposite the studio door you have observed a third little house, from whose open door lamplight streams and makes hay of the strong moonlight shadows. You had supposed it made no part of the grounds, for a fence runs round it lined with oleander; but as the Squire is nowhere else, is it not just possible he may be here? It is a grim little wooden shanty; cobwebs bedeck it; friendly mice inhabit its recesses; the mailed cockroach walks upon