Scripture texts illustrated by general literatureJacox, Francis
Religion
Scripture texts illustrated by general literature
Jacox, Francis
Homiletical illustrations
The tradition that Pythagoras borrowed all his learning and philosophy
from the East is rejected by modern scholars: could not so great a
man, they ask, dispense with foreign teachers? And the answer is, that
assuredly he could and did; but his countrymen, it is to be observed,
by a very natural process of thought, looked upon his greatness as the
result of his Eastern education. “No man is a prophet in his own country,
and the imaginative Greeks were peculiarly prone to invest the distant
and the foreign with striking attributes;” unable to believe in wisdom
springing up from among themselves, they turned to the East as to a vast
and unknown region, whence all novelty, even of thought, must come. “Πᾶσι
τοῖς φιλοσόφοις,” says a Greek philosopher, “ἔδοξε χαλεπὸς ἐν τῇ πατρίδι
ὁ βίος.”
As the first, so the most arduous conquests of Mohammed were, says
Gibbon, those of his wife, his servant, his pupil, and his friend; since
he presented himself as a prophet to those who were most conversant with
his infirmities as a man. “Thus was Mohammed,” writes Dean Milman, after
recording the conversion of the child Ali, “the prophet of his household.
Slowly however did he win proselytes, even among his own kindred. Three
years elapsed before the faith received the accession of Abubeker and
of Othman, the future caliphs. Mohammed at length is accepted as the
prophet of his family, of the noble and priestly house of Hashem. Abu
Talib, his uncle, remains almost alone an unbeliever. And now Mohammed
aspires to be the prophet of his _tribe_.” But in effect the “false”
prophet is an exception to the rule of no prophet accepted in his own
house and country. An American commentator on Shakspeare incidentally
expounds that rule, in remarking on the degree to which our sense of
truth is impeded or impaired by the pressure on our minds of what is
actual and visible and present. A faithful painter may, he observes,
portray a human face with all its characteristic expression, and in all
its true individuality; and yet the nearest relatives are not only the
hardest to satisfy, but, by the very nature of their familiarity with the
subject, will often be the worst judges of the likeness. We are all of
us, he adds, “very apt to fail in appreciating the best and noblest parts
in the characters of those whom we know familiarly, for the thousand
familiarities of common life interpose; and it is sad to think that often
it is not until death has hallowed and idealized the character, that we
can do it justice.” Envy and jealousy, remarks David Hume in treating of
the recognition of real genius, have too much place in a narrow circle,
and even familiar acquaintance with the person of one thus gifted may
diminish the applause due to his performance—that is, among those of
his own age and country. Pindar and Æschylus, we are told, left their
country because those who were born their equals could not endure to
see them rise their superiors. “What a war against the gods is this!”
Public-domain text, read in full here on John Shaqi.
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