Scripture texts illustrated by general literatureJacox, Francis
Religion
Scripture texts illustrated by general literature
Jacox, Francis
Homiletical illustrations
One of our acutest essayists on social subjects comments on the readiness
of a man to exult in the fact that he has done something which he cannot
undo, and has pledged himself to a course from which he cannot draw back,
as more commonly the sign of a weak than of a strong nature. “The comfort
of plunging right into the stream is unspeakable to anybody who has been
accustomed to stand shivering and irresolute on the bank.” When a person
of this sort, it is justly observed, has brought himself to take the
plunge, his exultation and fearlessness are wonderful: the knowledge that
the Rubicon is crossed, and the die cast, seems to relieve him from the
necessity of further resolution. “He has set in motion a machine which
will of itself wind off results and consequences for him without more
ado on his own part; and this is an order of release from the demands of
circumstances upon his will, for which he cannot be too thankful.”
[10] When at Bologna he used to visit the Campo Santo, the sexton of
which was a favourite of his, and the “beautiful and innocent face” of
whose daughter of fifteen, he used to contrast with the skulls that
peopled several cells there—and particularly with that of one skull dated
1766, “which was once covered (the tradition goes) by the most lovely
features of Bologna—noble and rich.”
[11] Not to be forgotten, however, is the suggestive rejoinder of
Mercury, that Menippus would have been as easily fooled as the rest of
them, had he but seen, not that grinning skull, but the living face that
once concealed it.
[12] In the book called “God’s Acre; or, Historical Notices relating to
Churchyards,” there is a loathsome story of a Mr. Thompson, of Worcester,
who baited his angling-hook with part of the corrupted form of King John,
and carried the fish he caught with it in triumph through the streets.
[13] “Et puisque le monde n’est qu’une comédie, il faut prendre la queue
lapin et l’épée de bois comme les autres.”—Lettres de Chaulieu, ed. 1850.
[14] Boswell’s “Life of Johnson,” April 29, 1783.
[15] In the etymological sense, now practically obsolete, of misbeliever.
[16] Perhaps a better version of perhaps the same story is that of the
young Dauphin exclaiming to his right reverend preceptor, when some book
mentioned a king as having died, “Quoi donc, les rois meurent-ils?”
“Quelquefois, monseigneur,” was the reply—ironical, or parasitical, as
may be.
[17] John Asgill distinguished himself by maintaining in a treatise now
forgotten, that death is no natural necessity, and that to escape it is
within the range of the humanly practicable. But Asgill’s biography, like
every other, has for a last page the inevitable “And he died.”
[18] That is, “Let thy spirit (goste), not thy appetite, lead thee.” In
St. Peter’s words, “Abstain from fleshly lusts.”
[19] St. Augustine, Lyra, Bellarmine, and others, are chargeable with
this judgment and sentence.
Public-domain text, read in full here on John Shaqi.
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