High Altar in the Chapel, Hospital de la Caridad, Seville] [Illustration: PLATE 153 Our Lady of Sorrows, by Luisa Roldan, Cadiz Cathedral] [Illustration: PLATE 154 Head of John the Baptist, Granada] [Illustration: PLATE 155 Head of John the Baptist, Granada] [Illustration: PLATE 156 Head of John the Baptist, Granada] [Illustration: PLATE 157 Statue of St. Bruno, in the Chartreuse de Miraflores, Burgos] [Illustration: PLATE 158 St. Bruno, by Alonso Cano, in the Cartuja, Granada] [Illustration: PLATE 159 Statue of the Magdalene, formerly in the Cartuja, Granada] [Illustration: PLATE 160 St. Francis, by Pedro de Mena, Toledo Cathedral] [Illustration: PLATE 161 The Last Supper, by Zarcello, Ermita de Jesus, Murcia] [Illustration: PLATE 162 St. Veronica, by Salcillo, Ermita de Jesus, Murcia] FOOTNOTES: [A] Pierre Paris, _Essai sur l’Art et l’industrie de l’Espagne Primitive_, 1830-4, vol. ii. p. 308. Mr. Havelock Ellis has chosen the Lady of Elche, on account of this symbolic character, as the frontispiece of his illuminating book, “The Soul of Spain.” [B] For a fuller account of the history of polychrome sculpture we refer the reader to M. Marcel Dieulafoy’s _La Statuaire Polychrome en Espagne_, from which many of the facts in this chapter have been taken. End of the Project Gutenberg EBook of Sculpture in Spain, by Albert F. Calvert