[158] For example, Dr. Waldstein, in the first volume of the _Journal of Hellenic Studies_, p. 168. [159] _Athen. Mittheil._ iv. pl. iii. [160] I. 90. τειχίζειν δὲ ... φειδομένους μήτε ἰδίου μήτε δημοσίου οἰκοδομήματος. [161] The head also does not belong to the statue, and the right arm and other parts are restorations. See the Berlin _Denkmäler_, i. pl. 31, 32. [162] For the basket see Fig. 62: for the attitude cf. Pl. XXVI. Epigrams to be placed on tombs adorned with statues of women are to be found in the _Anthology_, vii. 649, &c. As a replica of the ‘Penelope’ in very high relief exists in the Vatican, we may regard it as likely that the original was not entirely detached from the background. [163] Athens _Cat._ No. 218. [164] Athens _Cat._ No. 219. [165] e.g. Kaibel, No. 505, from Tricca. The formula of dedication is Ἑρμάον Χθονίου. [166] See Plates XXV, XXVI. [167] _Athen. Mittheil._ iv. pl. i, ii. Cf. _C. A. G._ pl. i. [168] Michaelis, _Ancient Marbles in Great Britain_, p. 385, whence our engraving is taken. [169] _C. A. G._ pl. iv. As to the pentathlon, see the _Journ. Hell. Stud._ i. p. 210. [170] _Athen. Mittheil._ iii. pl. 14. [171] These are lost, but the holes in which they were fixed remain over the forehead. [172] Reins, sword, and lance were added in metal, as is shown by the remaining holes in which these were fixed. Colour was doubtless freely added. [173] _Bull. Corr. Hellén._ iv. pl. 7. [174] Athens _Cat._ No. 873. [175] Athens _Cat._ No. 828. [176] It has been suggested that the gesture is one of adoration in presence of the deities of the next world. [177] _Anthologia_, vii. 338. [178] For instance, Athens _Cat._ No. 1192. [179] At Rome. Published in the _Ann. e Mon. dell’ Inst._ 1855, pl. xv. Cf. Friedrichs-Wolters, _Gipsabgüsse_, No. 1010. [180] Athens _Cat._ No. 752. [181] VII. 279. [182] Athens _Cat._ No. 731. [183] _C. A. G._ pl. xv. [184] _C. A. G._ pl. xvii. [185] _Br. Mus. Cat. of Marbles_, No. 721; _Mus. Marb._ ix. pl. 38. [186] _Journ. Hell. Stud._ vi. pl. B. [187] Such as Friedrichs-Wolters _Gipsabgüsse_, No. 1024: _Arch. Zeitung_, 1871, pl. 53. [188] _Anthol. Palat._ vi. 280. [189] Athens _Cat._ No. 1196. [190] _C. A. G._ pl. xxxvii. [191] _Museum Marbles_, x. 3. [192] Athens _Cat._ No. 711. [193] Ibid. No. 765; _C. A. G._ pl. xlviii. [194] The two notions that in such groups it is always the seated or that it is always the standing person who is dead are alike fallacious. [195] Kaibel, No. 557. [196] _C. A. G._ Nos. 134, 139. [197] Ibid. No. 158. [198] Athens _Cat._ No. 717. [199] Athens _Cat._ No. 870. [200] Ibid. No. 749. A photograph of the relief being unsatisfactory, we copy the engraving at p. 70 of the _C. A. G._ [201] VII. 730, by Perses. [202] _C. A. G._ No. 333, pl. lxxxiv. [203] I have a vivid recollection of the admiration expressed for the examples in the British Museum by Mr. Ruskin. [204] Pl. xxxix; cf. Athens _Cat._ No. 724.