Sea and Shore: A Sequel to "Miriam's Memoirs"Warfield, Catherine A. (Catherine Ann)
General
Sea and Shore: A Sequel to "Miriam's Memoirs"
Warfield, Catherine A. (Catherine Ann)
Fiction
"Who have called, Mrs. Clayton! Give me the cards immediately. I must,
must know," I rejoined, eagerly, pausing with extended hand to receive
them.
"Oh, there were no cards, and such as want to see you can come again.
There, now! write away, and never trouble your mind about strange
people. Have you sufficient light?"
And, as she spoke, she touched a cord which set at right angles with
the lower one the upper inside shutter of another window as she had
adjusted the first.
I wrote two hasty notes, one on further consideration to Captain
Wentworth himself, who might, after all, be at that very time in that
same hotel--"_Quien sabe_?" as Favraud used to say with his significant
shrug, which no Frenchman ever excelled or Spaniard equalled (albeit
they shrug severally).
My spirits rose with every word I wrote, and, when I got up from my
chair after sealing and directing my letters, a new and subtle energy
seemed to have infused itself through my frame. "There, I have finished,
Mrs. Clayton," I said, putting aside the implements I had been using.
"Now go, if you please, and bring to me the proprietor of this hotel. I
will give him my letters myself, since I have other business to transact
with him," and I laid my watch and chain on the table before me, ready
for his hand, not having lost sight of my early resolution. "But,
stay--before you go, be good enough to open the lower shutters and throw
up the windows. Cool as the weather is in this climate, I stifle for
air, and this close atmosphere, laden with fragrance, grows oppressive.
Who sent these flowers, by-the-by, Mrs. Clayton? or do they belong to
the magnificence of this idealized hotel?" She made no reply to any
thing I had been saying.
By this time, however, she had lowered the upper sashes of the windows
about a foot, and the fresh air of morning was pouring in, curling the
paper on the centre table and dispersing the noisome fragrance of the
flowers, in which I detected the morbid supremacy of the tuberose and
jasmine.
"I want to see the streets, the people," I said, approaching one of the
windows; "this artistic light is not at all the thing I need. I have no
picture to paint, not even my own face;" and, finding her unmoved, I
undertook to do the requisite work myself.
The sashes were shut away below by inside shutters, which resisted all
my efforts to stir them. After a moment's inspection, I perceived that
they were secured by iron screws of great strength and size; not, in
short, meant to be moved or opened at all. Again I essayed to shake them
convulsively one after the other--as you may sometimes see a tiger, made
desperate by confinement, grapple with the inexorable bars of his cage,
though certain of failure and defeat.
Public-domain text, read in full here on John Shaqi.
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