Almost unchanged is Melissa Hussey Wood's house. Her exquisite wax
flower arrangements, colored and molded by her hands, her mother's
tete-a-tetes, made in England and purchased in India, paintings of her
father's ships and his ivory chessmen, her silver wedding bouquet
holder, her baby's shoulder clips, her brass and crystal girandoles, her
pictures, books and chairs, have all been used by her two daughters, her
granddaughter, and her great-granddaughters. Old pressed brass cornices
decorate the windows above the lace curtains. Unusual, too, are the very
large silver daguerreotypes, made in California for the new house, and
the haircloth "pouf" rocking chairs. An Italian clock, bought by her
father in Florence, which arrived in Bangor, Maine, on the day Melissa
Ann was born in 1838, stands on its original music box base upon the
dining-room mantel. Strangest contrast of all, above the doors of this
high-ceilinged room are steel engravings in their contemporary oval
frames of Generals Joe Johnston, Stonewall Jackson, and Robert E. Lee,
placed there by the Yankee bride, who after three years in Alexandria
became an ardent champion of the Confederacy and never took the oath of
allegiance while Alexandria was under Union jurisdiction.
Acknowledgments
It would be impossible to write a book of this kind without a great deal
of help from many sources. This help was given by very busy people with
knowledge or documents, which inspired the historian to further
impositions upon their useful persons.
An expression of appreciation, always banal, is nevertheless an attempt
to express gratitude--and this is my only means of acknowledging my
obligations to friend and stranger. Without such help this book, such as
it is, would never have been written and so my lasting gratitude goes:
First, to my father, who said I would never finish it, and to my
husband, who said I would.
To Mr. Walter Wilcox, American Photographical Society, and Royal
Photographical Society, for his labors and beautiful photographs which
illustrate this book.
To Mrs. George Kirk, for endless and patient typing and sustained
enthusiasms.
To Miss Virgila Stephens, for intimating that I might be able to write
anything that anybody would ever care to read, and to Mrs. Worth Bailey,
who said I had.
To Mr. Worth Bailey, curator of Mount Vernon, for numerous historical
contributions, rare and authentic, for the finished seal of Alexandria,
the endpapers, the charming drawings, for editing; and lastly, for wise
and useful advice. Mr. Bailey's historical knowledge and artistic
training have been invaluable.
To Mrs. Louis Scott, for permission to see the scrapbook of her mother,
Mrs. Mary G. Powell, and family papers; for the Harper family records,
for her gracious assistance and advice, and for the use of her late
mother's _The History of Old Alexandria, Virginia_.
Public-domain text, read in full here on John Shaqi.
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