The humidities and temperatures in the piles of lumber are largely
dependent upon the circulation of air within the kiln. The temperature
and humidity within the kiln, taken alone, are no criterion of the
conditions of drying the pile of lumber if the circulation in any
portion is deficient. It is possible to have an extremely rapid
circulation of air within the dry kiln itself and yet have stagnation
within the individual piles, the air passing chiefly through open
spaces and channels. Wherever stagnation exists or the movement of air
is too sluggish the temperature will drop and the humidity increase,
perhaps to the point of saturation.
When in large kilns the forced circulation is in the opposite
direction from that induced by the cooling of the air by the lumber,
there is always more or less uncertainty as to the movement of the air
through the piles. Even with the boards placed edge-wise, with
stickers running vertically, and with the heating pipes beneath the
lumber, it was found that although the air passed upward through most
of the spaces it was actually descending through others, so that very
unequal drying resulted. While edge piling would at first thought seem
ideal for the freest circulation in an ordinary kiln with steam pipes
below, it in fact produces an indeterminate condition; air columns may
pass downward through some channels as well as upward through others,
and probably stagnate in still others. Nevertheless, edge piling is
greatly superior to flat piling where the heating system is below the
lumber.
From experiments and from study of conditions in commercial kilns the
idea was developed of so arranging the parts of the kiln and the pile
of lumber that advantage might be taken of this cooling of the air to
assist the circulation. That this can be readily accomplished without
doing away with the present features of regulation of humidity by
means of a spray of water is clear from Fig. 30, which shows a
cross-section of the improved humidity-regulated dry kiln.
Public-domain text, read in full here on John Shaqi.
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