We now return and cross to the south transept, on the north side of which is the tomb once supposed to be the shrine of St. Richard de la Wych, Bishop (1253) but now definitely accepted as that of Bishop Stratford (1362). This tomb, with several others, was barbarously "restored" in the last century; near it may be seen the modern brass in memory of Dean Burgon (1888). The pictures on the west wall are by Bernhardi and represent Ceadwalla giving Selsey to St. Wilfrid and the confirmation made by Henry VIII to Bishop Sherborne. Part of the transept is used as a consistory court. The sacristy is on the west side and on the east is St. Catherine's Chapel. In the wall of the aisle, proceeding east, note two slabs which are said to have been brought from Selsey Cathedral. The subjects are the Raising of Lazarus and the Saviour meeting Martha and Mary. Note between them the tomb of Bishop Sherborne (1536); near by is a memorial of Dean Hook (1875) also the coffin slabs of Bishop Neville (1224) and Bersted (1262). [Illustration: CHICHESTER PALACE AND CATHEDRAL.] We now enter the Transitional Retro-choir; here is the altar tomb of Bishop Story (1503) who built Chichester Market Cross, and of Bishop Day (1556). The columns of Purbeck marble which grace this part of the cathedral are of great beauty. The screens of native iron have already been noticed, they are of simple but effective design. We pass the terminal chapel of the south aisle, dedicated to St. Mary Magdalene and restored in memory of Dean Cross, and enter the Chapel of Our Lady, noting (left) the tombs of Bishops Hilary and Ralph, and (right) Bishop Seffrid II, the builder of the Early English portions of the Cathedial. This beautiful chapel was finished in the early fourteenth century and in the eighteenth was considered unworthy of repair and handed over to the Duke of Richmond, whose private property it for a long time became. The floor was raised to allow of a burial vault being constructed below, and the upper portion became the library. The restoration was resolved upon in 1870 as a memorial to Bishop Gilbert, and the then Duke being in sympathy with the revived canons of good taste no opposition was encountered. It may be of interest to quote an anonymous correspondent in the _Gentleman's Magazine_ (1829, part II) which shows how the leaven was at work even then.