Second to None: A Military Romance, Volume 3 (of 3)Grant, James
General
Second to None: A Military Romance, Volume 3 (of 3)
Grant, James
Soldiers -- Fiction
I felt pleased and flattered by the whole events of the day;
especially by the beauty, the charming frankness of Aurora, and the
decided preference she showed for me; the more so that she was an
object of no little attraction to the powdered beaux who crowded the
court of the young king. And to think that my poor red coat eclipsed
all their finery.
Betimes next day I had my hair dressed by a fashionable perruquier; I
took a promenade in Pall Mall, and left a card for a friend at
White's Chocolate House. He was a brother of Douglas of ours, and
belonged to the Scots Foot Guards, but was absent recruiting in
Edinburgh. About mid-day, I presented myself at my cousin's mansion,
old Sir Basil Gauntlet's town residence, in Piccadilly. It was one
of the largest and best style of houses in that fashionable quarter.
Master John Trot appeared at the door in answer to my summons, and
opened it wide enough and with a sufficiently low bow, as I had
exchanged my old, weather-beaten and bloodstained fighting-jacket,
for a fashionable suit of French grey velvet, laced with silver.
I found Aurora in the drawing-room, with her companion, a pleasing
old gentlewoman in a towering _toupée_, high red-heeled shoes and
black lace mittens--Madam Blythe (as she was named in the old
Scoto-French fashion) a widow of the captain-lieutenant of Lord
Ancrum's dragoons, who had been killed in action, so the poor woman's
heart warmed towards me as a gentleman of the cloth.
After a few of the ordinary remarks about the weather, followed by a
few more about the ceremony of yesterday, luncheon was announced by
John Trot, and we descended by a splendid staircase, hung with
effigies of departed Gauntlets, depicted by Lely and Kneller, in wigs
and corslets, to the dining-room, past a line of servants in livery,
aiguiletted and covered with braid, like state trumpeters.
Over the carved marble mantelpiece hung a portrait of an old
gentleman, in a square-skirted coat, corded with gold, a voluminous
wig and wide riding-boots, in the act of grasping the reins of a roan
charger.
"'Tis dear old grandpapa's portrait, painted by Mr. Joshua Reynolds."
(He had not been knighted yet.)
"One of the most rising artists in London," added Madame Blythe, in
an explanatory tone.
"'Tis very like you, Basil," said Aurora, laying kindly on my
shoulders a plump white hand that glittered with turquoise and
diamond rings.
I did not feel flattered, as "dear old grandpapa's" Bardolph's snout
was somewhat like an over-ripe peach; but altogether, in his jolly
obesity he in no way resembled the old _ursa-major_ I had pictured
him--perhaps Mr. Reynolds flattered. However, I could scarcely
refrain from frowning at it when Aurora did not observe me, and when
I thought of the will which he and old Nathan Wylie had concocted
between them; and then of the handsome legacy--one shilling sterling
coin of this realm--bequeathed to me when quartered at Portsmouth.
Public-domain text, read in full here on John Shaqi.
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