From the night of the sigh and little ball, I sacrificed the first of my
present enjoyments; and entered the wood no more. The opposite hill,
from whence issues the parent spring of the lake, forms a shelter to the
little park, a spot of ground left in its rude state to produce furze,
&c. for the accommodation of our deer. Twice a day, for Nina's sake, I
ascended the hill. Sometimes she appeared instantly, from the little
park.--Oftner, after I had called loud, and long, she would come panting
from the wood. But our meetings were less congenial than at the foot of
our oak.--Nina would bound that way, suddenly stop, and look wistfully
from me to the wood, thus as it were conjuring my return to that beloved
spot where she used to share her fond caresses between Clement and
myself, and spring from one embrace to be received in the other.
One afternoon Nina appeared on my first call; and, as I stooped to
embrace her, I observed a folded paper tied to the plate of her collar.
It contained only, 'your wood is free: farewel for ever.'
That Nina should become such a messenger must be, I concluded, by the
order of Mr. Valmont, and the contrivance of a servant; for you,
Caroline, experienced how inflexibly averse Nina is to strangers. Even
to the domestics of the castle I never saw her more complacent. I felt
grateful for the tidings; though I smiled to think my uncle should thus
continually strive to perplex and mislead my imagination.
It was now near the close of evening.--Gathering clouds and fierce gusts
of wind foretold a tempest. Instead of going to the wood, I returned to
the castle; and scarcely was I housed, when the storm burst in its most
tremendous violence.
You remember the apartment where my portrait hangs; and you have
remarked the attractions of that picture for me. As the work of Clement,
it is rather his image than my own. There I can vent the swelling
sentiment of my heart, and find an auditor more interested than the
dispersing winds. To this room and picture I resorted in the dead of
that night, to harmonize my feelings and collect my thoughts, alarmed
and scattered by a twice repeated dream full of terror and dismay.
There I met a stranger. I looked on him intensely; for I sought to
discover the likeness of _the spirit_, whom you describe, I sought to
recollect the features I had seen in the wood, and armoury: height and
form agreed with your description, and my remembrance; but the
countenance of this young man was devoid of softness and I thought
possessed little interest. He had vivacious dark eyes, dark hair, and a
full decided bloom. The impression of former circumstances was still
powerful in my mind; I remembered the paper I had found on Nina's
collar; and I concluded that this person could be no other than Mr.
Valmont's chosen. I addressed him accordingly. I spoke of the weakness
of his endeavours. I defied his utmost power. Twice the stranger bowed
in silence; but he never attempted to answer me.
Public-domain text, read in full here on John Shaqi.
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