Secret History Revealed By Lady Peggy O'MalleyWilliamson, C. N. (Charles Norris)
General
Secret History Revealed By Lady Peggy O'Malley
Williamson, C. N. (Charles Norris)
Man-woman relationships -- Fiction; Soldiers -- Fiction; Young women -- Fiction
Work was so real and so pressing with us at "The Haven" that I laughed
at the picture of Diana's guild with its list of helpers from Debrett,
its palmist, and its tea. Miss Jane and Miss Emma, however, said that it
was my duty to go and see my family, as I was younger than they were,
and it was not to be expected that they could get to me. The desired
cheque I hadn't meant to mention, but in reading the funny part of the
letter aloud one of Di's references to it fell out inadvertently, and
the generous creatures caught it up. They were prepared to spend many
hundreds of pounds in turning "The Haven" into a refuge, and in
supporting the homeless Belgian women and children to whom they offered
hospitality, but they couldn't allow my sister to ask in vain. I was
given twenty guineas for the guild and told that I ought to take the
cheque myself, for I would discover that "it was the busiest people who
could always find time."
We were busy from six-thirty in the morning till ten-thirty at night,
with indigestibly short intervals snatched for meals; but, as the two
angels said, there was always time to do one more thing. On that
principle I contrived to go to Diana's on one of her "afternoons," armed
with the Splatchley cheque and my own knitting, strongly resolved not to
drink any of Sidney Vandyke's tea or eat one of his horrid eclairs.
I was ushered into the house by two powdered footmen far too big for it.
It is a small house for Park Lane, all up and down stairs; but the
drawing-room is of good size; and when a bishop-like butler published my
name at the door, I saw that the room was full of women, young, old, and
middle-aged, seated at sewing-machines, or standing at long tables
cutting out strange-looking shapes from hideous materials.
There were some quaint sights to be seen at "The Haven," rooms being
partitioned off into cubicles; others being turned into dormitories,
nurseries, or refectories for the refugees, who had already begun to
arrive, before things were half ready to receive them. But Diana's smart
new drawing-room in Park Lane presented a far more extraordinary study
in contrasts than anything the middle-class "Haven" could show.
Public-domain text, read in full here on John Shaqi.
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