Kej Kaoos, we are afterwards told by the poet, formed the insane project of ascending to heaven, which he attempted in the following manner. A stage was constructed on which a throne was set for the monarch; four javelins were placed at the corners, with pieces of goat's flesh on them, and four hungry eagles were tied at the bottom, who, by their efforts to reach the meat, raised the stage aloft into the air; but when the strength of the birds was exhausted the whole fell with the royal aëronaut in the desert, where he was found by Roostem and the other chiefs. [Illustration: From the Same.] The history of the Shah-nameh (_King-book_), in which these legends are contained, is one of the most curious in literature. The fanaticism of the Arabs, who conquered Persia, raged with indiscriminate fury against the literature, as well as the religion, of that country; and when, in the time of Al-Mansoor and his successors Haroon-er-Rasheed and Al-Mamoon, the Arabs themselves began to devote their attention to literature and science, it was the science of Greece and the poetry of their native language that they cultivated. The Persian literature meantime languished in obscurity, and the traditional, heroic, and legendary tales of the nation were fading fast from memory, when a governor of a province, zealous, as it would appear, for the honour of the Persian nation, made a collection of them, and formed from them a continuous narrative in prose. The book thus formed was called the Bostan-nameh (_Garden-book_). It was in great repute in the northern part of Persia, where, at a distance from the court of the khalifs, the Persian manners, language, and nationality were better preserved; and when the Turkish family of the Samenee founded an empire in that part of Persia, sultan Mansoor I., of that race, gave orders to a poet named Dakeekee to turn the Bastan-nameh into Persian verse. The poet undertook the task, but he had not made more than a thousand verses when he perished by assassination. There being no one supposed capable of continuing his work, it was suspended till twenty years afterwards, when the celebrated Mahmood of Ghizni, the conqueror of India, meeting with the Bastan-nameh, gave portions of it to three of the most renowned poets of the time to versify. The palm of excellence was adjudged to Anseri, who versified the tale of Sohrab slain by his own father Roostem, one of the most pathetic and affecting narratives in any language. The sultan made him Prince of the Poets, and directed him to versify the entire work; but, diffident of his powers, Anseri shrank from the task, and having some time afterwards met a poet of Toos in Khorasan, named Isaac, the son of Sheriff-Shah, surnamed Ferdoosee (_Paradisal_[62]), either from his father's employment as a gardener, or from the beauty of his verses, he introduced him to the sultan, who gladly committed the task to him. Ferdoosee laboured with enthusiasm in