The opinion of the Crusades having been an emanation of the spirit of chivalry is one of the most erroneous that can be conceived, yet it is one most widely spread. Romancers, and those who write history as if it were romance, exert all their power to keep up the illusion, and the very sound of the word Crusade conjures up in most minds the ideas of waving plumes, gaudy surcoats, emblazoned shields, with lady's love, knightly honour, and courteous feats of arms. A vast deal of this perversion of truth is no doubt to be ascribed to the illustrious writer of the splendid epic whose subject is the first Crusade. Tasso, who, living at the time when the last faint gleam of expiring chivalry was fitfully glowing through the moral and political gloom which was overspreading the former abodes of freedom and industry in Italy, may be excused if, young and unversed in the philosophy of history, he mistook the character of European society six centuries before his time, or deemed himself at liberty to minister to the taste of a court which loved the fancied image of former times, and stimulate it to a generous emulation by representing the heroes of the first Crusade as animated with the spirit and the virtues of the ideal chivalry. But the same excuse is not to be made for those who, writing at the present day, confound chivalry and the Crusades, give an epitome of the history of the latter under the title of that of the former, and venture to assert that the valiant Tancred was the _beau ideal_ of chivalry, and that the "Talisman" contains a faithful picture of the spirit and character of the Crusades.[68] [Footnote 68: On the subject of chivalry see Ste. Palaye Mémoires sur la Chevalerie, Sir W. Scott's Essay on the same subject, and Mills's and James's histories of chivalry. We do not recollect that any of these writers has fairly proved that the chivalry which they describe ever existed as an institution, and we must demur to the principle which they all assume of romances like Perceforest being good authority for the manners of the age in which they were composed.]