In Jochen Nüssler's house, the old lady Contentment had established
herself comfortably on the divan, and, if one had spoken of golden
prospects there, it must have been in the sense in which the poets
speak of the "golden morning sky," not because they think that the glow
of the morning sky is like the glitter of gold, but only that they know
nothing more beautiful than the latter, possibly because they see it so
seldom. Gottlieb was getting rid of his long-haired, Pietistic ways,
and beginning to look at the world with his natural eyes, instead of
through the blue spectacles he had acquired at Erlangen, or elsewhere.
To Bräsig's joy, he played Boston--very badly; he had been on
horse-back once, and had fallen off, without getting hurt, and when he
came to Jochen Nüssler's harvest feast, though he did not exactly
dance, that is to say, openly, before all the people, he had practised
a Schottische with Lining in the parlor, and, at its close, had sung
with a clear though rather plaintive voice, "Vivallera!"
But Rudolph? Well, we will only repeat what Hilgendorf himself said to
Bräsig about him: "He, Bräsig? Just as I was, true as I live! Bones
like ivory! Just looks at a thing, and knows how, just as I used to!
And books? Won't touch 'em! Just like me!"
Frau Nüssler was happy in the happiness of her children, and young
Jochen and young Bauschan sat together peacefully, for hours, without
saying a word, and thought of the time when they should have a new
crown-prince, young Jochen Rudolph, and young Bauschan the seventh.
That was not exactly a morning sky, but for moderate people, like
Jochen and Bauschan, an evening sky often looks golden.
Public-domain text, read in full here on John Shaqi.
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