The allusion to Queen Adelaide's face fixes the narrative between 1820 and 1830, and George Eliot was depicting the same unenlightened period when she described the accomplishments provided by Ladies' Schools as "certain small tinklings and smearings." Probably all of us can recall an Aunt who tinkled on the piano, or a First Cousin once Removed who smeared on Bristol Board. Lady Dorothy Nevill, whose invincible force and evergreen memory carry down into the reign of King Edward VII. the traditions of Queen Charlotte's Court, is a singularly accomplished Aunt, and she has just made this remarkable confession: "At different times I have attempted many kinds of amateur work, including book illumination, leather-working, wood-carving, and, of late years, a kind of old-fashioned paper-work, which consists in arranging little slips of coloured paper into decorative designs, as was done at the end of the eighteenth century. When completed, this work is made up into boxes, trays, or mounts for pictures." Surely in this accomplishment Miss Volumnia Dedlock lives again. And then Lady Dorothy, lapsing into reminiscent vein, makes this rather half-hearted apology for the domestic artistry of bygone days: "Years ago ladies used to spend much more of their time in artistic work of some kind or other, for there were not then the many distractions which exist to-day. Indeed, in the country some sort of work was a positive necessity; and though, no doubt, by far the greater portion of what was done was absolutely hideous, useless, and horrible, yet it served the purpose of passing away many an hour which otherwise would have been given up to insufferable boredom." Yes, the fashions of the world succeed one another in perpetual change; but Boredom is eternally the enemy, and the paramount necessity of escaping from it begets each year some new and strange activity. The Aunt no longer paints in water-colours or keeps tame rabbits, flattens ferns in an album, or traces crude designs with a hot poker on a deal board. To-day she urges the impetuous bicycle, or, in more extreme cases, directs the murderous motor; lectures on politics or platonics, Icelandic art, or Kamschatkan literature. Perhaps she has a Cause or a Mission pleads for the legal enforcement of Vegetarian Boots, or tears down the knocker of a Statesman who refuses her the suffrage. Perhaps her enthusiasms are less altruistic, and then she may pillage her friends at Bridge, or supply the _New York Sewer_ with a weekly column of Classy Cuttings. "Are you the _Daily Mail_?" incautiously chirped a literary lady to an unknown friend who had rung her up on the telephone. "No, I'm not, but I always thought you were," was the reply; and so, in truth, she was. XXIX CIDER