Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
General
Seeing Europe with Famous Authors, Volume 2: Great Britain and Ireland, Part 2
Great Britain -- Description and travel; Ireland -- Description and travel
On a panel, let into the wall in a corner of the room, is a portrait of
Burns, copied from the original picture by Nasmyth. The floor of this
apartment is of boards, which are probably a recent substitute for the
ordinary flagstones of a peasant's cottage. There is but one other room
pertaining to the genuine birthplace of Robert Burns: it is the kitchen,
into which we now went. It has a floor of flagstones, even ruder than
those of Shakespeare's house--tho, perhaps, not so strangely cracked and
broken as the latter, over which the hoof of Satan himself might seem to
have been trampling. A new window has been opened through the wall,
toward the road; but on the opposite side is the little original window,
of only four small panes, through which came the first daylight that
shone upon the Scottish poet. At the side of the room, opposite the
fireplace, is a recess, containing a bed, which can be hidden by
curtains. In that humble nook, of all places in the world, Providence
was pleased to deposit the germ of the richest human life which mankind
then had within its circumference.
These two rooms, as I have said, make up the whole sum and substance of
Burns's birthplace: for there were no chambers, nor even attics; and the
thatched roof formed the only ceiling of kitchen and sitting-room, the
height of which was that of the whole house. The cottage, however, is
attached to another edifice of the same size and description, as these
little habitations often are; and, moreover, a splendid addition has
been made to it, since the poet's renown began to draw visitors to the
wayside alehouse. The old woman of the house led us, through an entry,
and showed a vaulted hall, of no vast dimensions, to be sure but
marvelously large and splendid as compared with what might be
anticipated from the outward aspect of the cottage. It contained a bust
of Burns, and was hung round with pictures and engravings, principally
illustrative of his life and poems. In this part of the house, too,
there is a parlor, fragrant with tobacco-smoke; and, no doubt, many a
noggin of whisky is here quaffed to the memory of the bard, who profest
to draw so much inspiration from that potent liquor.
We bought some engravings of Kirk Alloway, the Bridge of Doon, and the
monument, and gave the old woman a fee besides, and took our leave. A
very short drive farther brought us within sight of the monument, and to
the hotel, situated close by the entrance of the ornamental grounds
within which the former is enclosed. We rang the bell at the gate of the
enclosure, but were forced to wait a considerable time; because the old
man, the regular superintendent of the spot, had gone to assist at the
laying of the corner-stone of a new kirk. He appeared anon, and admitted
us, but immediately hurried away to be present at the ceremonies,
leaving us locked up with Burns.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account