Poor Mary is laid in the burial-plot of her uncle in the west kirk-yard of Greenock, near Crawford Street; our pilgrimage in Burns-land may fitly end at her grave. A pathway, beaten by the feet of many reverent visitors, leads us to the spot. It is so pathetically different from the scenes she loved in life--the heather-clad slopes of her Highland home, the seclusion of the wooded braes where she loitered with her poet-lover. Scant foliage is about her; few birds sing above her here. She lies by the wall; narrow streets hem in the enclosure; the air is sullied by smoke from factories and from steamers passing within a stone's throw on the busy Clyde; the clanging of many hammers and the discordant din of machinery and traffic invade the place and sound in our ears as we muse above the ashes of the gentle lassie. For half a century her grave was unmarked and neglected; then, by subscription, a monument of marble, twelve feet in height, and of graceful proportions, was raised. It bears a sculptured medallion representing Burns and Mary, with clasped hands, plighting their troth. Beneath is the simple inscription, read oft by eyes dim with tears: Erected over the grave of Highland Mary 1842 "My Mary, dear departed shade, Where is thy place of blissful rest?" THROUGH THE CALEDONIA CANAL TO INVERNESS [Footnote: From "Notes on England." Published by Henry Holt & Co.] BY HIPPOLYTE ADOLPHE TAINE In the luminous morning mist, amid a line of masts and rigging, the steamboat sailed down the Clyde to the sea. We proceeded along the indented and rugged coast from one bay to another. These bays, being almost entirely closed in, resemble lakes, and the large sheets of water mirror an amphitheater of green hills. All the corners and windings of the shore are strewn with white villas; the water is crowded with ships; a height was pointed out to me whence three hundred sail may often be counted at a time; a three-decker floats in the distance like a swan among sea-mews. This vast space spread forth and full of life, dilates the mind, one's chest expands more freely, one joyfully inhales the fresh and keen breeze. But the effect upon the nerves and the heart does not resemble that of the Mediterranean; this air and country, instead of pre-disposing to pleasure, dispose to action. We enter a small vessel drawn by three horses, which transports us along the Crinan canal, between two banks of green turf. On the one side are rocks covered with brushwood; on the other, steep declivities of a gray or reddish tinge; this, indeed, is color at least, a pleasure for the eye, well mingled, matched, and blended tints. On the bank and amid the bushes are wild roses, and fragile plants with white tufts smile with a delicate and charming grace.