Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
History
Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
France -- Description and travel; Netherlands -- Description and travel
My blood ran cold, as I looked from Goblin, down into the vaults, where
these forgotten creatures, with recollections of the world outside--of
wives, friends, children, brothers--starved to death, and made the
stones ring with their unavailing groans. But, the thrill I felt on
seeing the accurst wall below, decayed and broken through, and the sun
shining in through its gaping wounds, was like a sense of victory and
triumph.
I felt exalted with the proud delight of living, in these degenerate
times, to see it. As if I were the hero of some high achievement! The
light in the doleful vaults was typical of the light that has streamed
in, on all persecution in God's name, but which is not yet at its noon!
It can not look more lovely to a blind man newly restored to sight,
than to a traveler who sees it, calmly and majestically, treading down
the darkness of that Infernal Well.
Goblin, having shown les oubliettes, felt that her great coup was
struck. She let the door fall with a crash, and stood upon it with her
arms a-kimbo, sniffing prodigiously.
When we left the place, I accompanied her into her house, under the
outer gateway of the fortress, to buy a little history of the building.
Her cabaret, a dark low room, lighted by small windows, sunk in the
thick wall--in the softened light, and with its forge-like chimney; its
little counter by the door, with bottles, jars, and glasses on it; its
household implements are scraps of dress against the wall; and a sober
looking woman (she must have a congenial life of it, with Goblin)
knitting at the door--looked exactly like a picture by Ostade.
I walked round the building on the outside, in a sort of dream, and yet
with the delightful sense of having awakened from it, of which the
light, down in the vaults, had given, me the assurance. The immense
thickness and giddy height of the walls, the enormous strength of the
massive towers, the great extent of the building, its gigantic
proportions, frowning aspect, and barbarous irregularity, awaken awe
and wonder.
The recollection of its opposite old uses; an impregnable fortress, a
luxurious palace, a horrible prison, a place of torture, the court of
the Inquisition; at one and the same time, a house of feasting,
fighting, religion, and blood, gives to every stone in its huge form a
fearful interest, and imparts new meaning to its incongruities. I could
think of little, however, then, or long afterward, but the sun in the
dungeons.
Public-domain text, read in full here on John Shaqi.
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