Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
History
Seeing Europe with Famous Authors, Volume 3: France and the Netherlands, Part 1
France -- Description and travel; Netherlands -- Description and travel
It grew more hidden and sequestered as we approached the little village
of Vaucluse. Here the mountain towers far above, and precipices of gray
rock many hundred feet high hang over the narrowing glen. On a crag
over the village are the remains of a castle; the slope below this, now
rugged and stony, was once graced by the cottage and garden of
Petrarch. All traces of them have long since vanished, but a simple
column bearing the inscription. "A Petrarque" stands beside the Sorgues.
We ascended into the defile by a path among the rocks, overshadowed by
olives and wild fig-trees, to the celebrated fountains of Vaucluse. The
glen seems as if stuck into the mountain's depths by one blow of the
enchanter's wand, and just at the end, where the rod might have rested
in its downward sweep, is the fathomless well whose over-brimming
fulness gives birth to the Sorgues. We climbed up over the mossy rocks
and sat down in the grotto beside the dark, still pool. It was the most
absolute solitude.
The rocks towered above and over us to the height of six hundred feet,
and the gray walls of the wild glen below shut out all appearance of
life. I leaned over the rock and drank of the blue crystal that grew
gradually darker toward the center till it became a mirror and gave
back a perfect reflection of the crags above it. There was no bubbling,
no gushing up from its deep bosom, but the wealth of sparkling waters
continually welled over as from a too-full goblet.
It was with actual sorrow that I turned away from the silent spot. I
never visited a place to which the fancy clung more suddenly and
fondly. There is something holy in its solitude, making one envy
Petrarch the years of calm and unsullied enjoyment which blest him
there. As some persons whom we pass as strangers strike a hidden chord
in our spirits, compelling a silent sympathy with them, so some
landscapes have a character of beauty which harmonizes thrillingly with
the mood in which we look upon them, till we forget admiration in the
glow of spontaneous attachment. They seem like abodes of the beautiful
which the soul in its wanderings long ago visited and now recognizes
and loves as the home of a forgotten dream. It was thus I felt by the
fountains of Vaucluse; sadly and with weary steps I turned away,
leaving its loneliness unbroken as before.
Public-domain text, read in full here on John Shaqi.
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