If Archer is a little overcautious in taking human life in _The Green
Goddess_, the law of averages still prevails, for Eugene O'Neill has
made up the deficit in _Diff'rent_ by rounding off his little play with
a double hanging. This tragedy, described on the hoardings as "a daring
study of a sex-starved woman," has much of O'Neill's characteristic
skill in stage idiom, but it is much less convincing than the same
author's _The Emperor Jones_. Indeed _Diff'rent_ is essentially a
reflection of the other play, in which O'Neill states again in other
terms his theory that man is invariably overthrown by the very factor in
life which he seeks to escape. Emma of _Diff'rent_, like the Emperor
Jones, completes a great circle in her frantic efforts to escape and,
after refusing a young man, because of a single fall from grace, comes
thirty years after to be an eager and unhappy spinster who throws
herself at the head of a young rascal. With the growth of realism in the
drama, criticism has become increasingly difficult, since the
playwright's apt answer to disbelief on the part of the critics is to
give dates, names, addresses and telephone numbers. "Let the captious be
sure they know their Emmas as well as I do before they tell me how she
would act," says O'Neill menacingly to all who would question the
profound truth of his "daring study of a sex-starved woman." Of course,
the question is just how well does O'Neill know his Emmas, but this is
to take dramatic criticism into a realm too personal for comfort.
Seemingly, O'Neill and the other daring students of sex-starvation are
well informed. Into the mind of the woman of forty-five they enter as
easily as if it were guarded by nothing more than swinging doors. Or
perhaps it would be better to describe it as a lodge room, for not all
may enter, but only those who know the ritual. This is annoying to the
uninitiated, but we can only bide our time and our protest until some
one of the young men takes the next step and gives us a complete and
inside story of the psychology of maternity.
Public-domain text, read in full here on John Shaqi.
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