Seekers in Sicily: Being a Quest for Persephone by Jane and PeripateticaBisland, Elizabeth
General
Seekers in Sicily: Being a Quest for Persephone by Jane and Peripatetica
Bisland, Elizabeth
Sicily (Italy) -- Description and travel
It was on still another day that Fortunato led through
olive groves and bowery lanes to the temple of Juno
Lacina, beguiling the way with light songs—some of
them distinctly light—and scintillating conversation
upon all matters in the heavens above, the earth beneath,
and the waters under the earth. He mimicked
deliciously the characteristics of English, French, German,
and American tourists, differentiating their national
peculiarities with delicate acuity. He made no
effort to disguise that he had pondered much upon the
sexes, and opined, with a shrug, that there was a hopeless
and lifelong irreconcilability in their two points of
view. Marriage, he frankly conceded to be a necessity,
but considered it a lamentable one. Of course
one must come to it soon or late, but, for a man, how
sad a fate! Then he broke off to sing of undying passion,
and interrupted himself to ask if the donkeys in
Nuova Yorka were as quick and strong as those of
Sicily; he supposed the streets must be crowded with
them, where the needs of commerce were so great.
Eventually he brought them out upon the lovely
eminence of the temple of the Mother of Heaven—Juno
213Lacina, special deity of mothers, which crowns
the edge of a sheer cliff of orange-yellow tufa four hundred
feet above the sea. The sea had washed close
under the cliff when the temple was first built, but now
at its foot the alluvial plains stretch level and rich, bearing
orchards and meadows and vineyards more fertile
than any old Akragas knew, though this very shrine
was built from the proceeds of exportation of oil to
Carthage.
Earthquakes had shaken down more than half
the tall, slim columns. Sirocco has bitten deep into
those still standing, and into the fallen fragments which
strew the landward slope; fragments lying among
gnarled olives, seemingly as wind-eaten and ancient as
themselves. Among these fluted fragments grew wild
pansies and crimson lupins, from which little Fortunato
gathered nosegays, as he shrilled, in his boyish falsetto,
songs of love and sorrow—or sat and kicked his heels
upon the margin of an old bottle-shaped cistern. Tourists
whirled up dustily for a cursory inspection—Baedeker
in hand—and whirled as quickly away, bent on
getting through the sights and passing on; but still
Peripatetica and Jane lingered and dreamed among
the ruins until Fortunato, visibly bored, suggested a
short cut back to the hotel. It led them by fields of
lupin, spread like crimson velvet mantles on the hillside,
where the contadini cut the glowing crop, heaping
it upon asses until they seemed but a moving mass
of blossom trotting home on brown legs. Goats, Fortunato
volunteered, detested—for some curious goatish
reason he could not explain—this picturesque food,
but donkeys! ah, to donkeys it was—in a burst of superlative
explanation—“the donkey macaroni.”
Public-domain text, read in full here on John Shaqi.
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