Commanus, the slave commander, weakens and tries to escape from the horrors. He creeps alone from the city, but is captured and brought before the Consul. He knows what methods will be tried to make him give information of the town’s condition—can his weakness hold out against torture? With apparent acquiescence he appears willing to answer all Roman questions, but 112bends his head and draws his cloak over it as if shielding his eyes to better collect his thoughts.... Under the cloak he grips his throat between his fingers and with the last remnant of once phenomenal physical strength crushes his own windpipe, and falls safely silent at the Consul’s feet. But the horrors of Taormina in that siege are too much for another slave—a Syrian. He betrays the town to the Romans ... and Publius disposes of all the remaining garrison over the edge of the cliff. Shopping is an important part of a stay in Taormina. Surely no other street of its length anywhere in the world has so many beguilements to part the tourist from his coin. The dark little shops spilling their goods out upon the pavement; things so bizarre, so good, so cheap, the lire of the forestieri flow away in torrents. Beautiful inlaid furniture; lovely old jewelry of flawed rubies and emeralds set amid the famous antique Sicilian pearl-work and enamelling. Old Spanish paste in delightful designs; red Catanian amber, little Roman intaglios, delicate old cameos, enamelled orders; necklaces, rings, pendants; earrings in odd and charming settings; delightful old trinkets in richer assortment of variety and quality here than any other place in Italy. Old Sicilian thread lace, coarse but effective, in shawls and scarfs of many charming old designs; old altar lace too in great abundance; better laces, as one may have luck to find them, or to be on the spot when gleanings from churches and convents in the interior are brought in—bundles containing varied treasures, from brocades and embroideries 113and splendid lace of priestly vestments, to drawn-work altar cloths and the lace cottas little choirboys’ restless arms have worn sad holes in. Churchly silver too, reliquaries and ornaments and old medals, abound in Taormina for scarcely more than the value of the silver’s weight. Old coins dug up in its gardens, the old porcelains bought from its impoverished nobles; old drawn-work, on heavy hand-woven linen, still firmly carrying its processions of marvellous beasts and birds and personages in wide lace-like bands. Beasts conceived by the same imagination that evolved the gargoyles of Gothic cathedrals, such wonderful mixtures of animal and bird and human as Adam never named in Garden of Eden. These horned birds and winged animals processioning around churchly altar cloths are old, old pagan Siculian luck charms—protectors against the evil eye. Peripatetica and Jane instantly proceeded to combat their Hoodoo with valiant processions of fat little many-horned stags romping