The crest of Monte Venere is a green knoll rising above rock walls. Around and below it enough mountains to fill a whole world roll confusedly on every side. They felt more than ever like earth-worms too 120far removed from friendly earth, and stayed only to listen to the pipings of a curly-headed goatherd flinging trills out into space; while Domenico, pained at their indifference to his vaunted coup d’état of “bella vistas,” but benevolent still, clambered about like a goat himself, gathering for them the “mountain violets” as he called the delicate mauve flowers starring the sod. So soon they were back at the tratoria that Francesco and Giovanino had not half chewed their little handfuls of hay, and young Domenico’s red tongue was still delightedly polishing off the interior of their tin of potted chicken, while the lean dogs watched enviously, waiting for their chance at this queer bone. Another personage was lunching luxuriously, stretched at his ease on the steep hillside, a large sleek white goat, munching solemnly at grass and blossom, wagging his beard and rolling watery pink-rimmed eyes with such evangelical air of pious complacence Peripatetica and Jane instantly recognized him as an incarnation of a New England country deacon, and sat down respectfully to pass the time of day with him. Going down even Jane takes to her own feet. Slipping, sliding, jumping, the worst is somehow past with bones still unbroken. The mountainside is yet like the wall of a house, but Domenico, with more cries of “corragio,” and proverbs as to those who “Va piano, va sano,” urges them to mount, and Jane, quite confident that four legs have more clinging power than two, is glad to lie back along Giovanino’s tail while he balances himself on his nose, with young Domenico serving as a brake on his tail, and so slides and hitches calmly down hill.