Seen and UnseenBates, E. Katherine (Emily Katherine)
Religion
Seen and Unseen
Bates, E. Katherine (Emily Katherine)
Bates, E. Katherine (Emily Katherine); Parapsychology; Psychics -- Biography; Spiritualism
We sat down at a fairly large wooden table, polished, but without
covering of any kind, and having only one solid support to it, coming
from the centre, passing down as a single wooden pillar, and spreading
out in the usual fashion at the bottom. I had noted this on first
entering the room.
The two women sat together on my right-hand side. On my left was the
Abbe, and the Countess sat exactly opposite to me, with a printed
alphabet pasted on to a card, and a long pencil as pointer.
This made up the party. At a side table, placed some distance away, sat
a pleasant young French lady, who was writing automatically all the
time; a secretary to the Countess, I believe. This young lady had no
possible connection with the table.
The _seance_ began with a few words of prayer from the Abbe for light
and guidance.
The process was as follows:--First, the Countess and then I took the
printed alphabet, and pointed silently and at a fair pace to the
letters, going on from one to the other without pause. At the letter
needed the table did not rise, but gave a sound more like a bang than a
rap. I have never heard anything _quite_ so loud and definite in my long
investigation. The sound seemed to come from _within the wood_, as in
ordinary "raps," when these are genuine, but it was far louder and more
rapid and decided than the usual _seance_ rap. There was no hesitation,
no gathering up of force. Any amount of vitality was evidently present,
and the intelligence, from whatever source, was unerring. The Countess
and I were the only two persons who held the alphabet and pointed, and
when _she_ held it the mediums could not have seen the letters from
their position at the table with regard to hers. Yet the letters were
banged out (I can use no other expression) with absolute accuracy, and
at a pace which, quick to start with, became more and more rapid as we
wearied of the monotonous task and handed the alphabet to each other in
turn.
When the name of GOD or of OUR LORD came, only the first letter was
indicated, and then the table swayed slowly to and fro in a very
reverent and characteristic way for a few seconds; after which we began
the alphabet again for the next word.
When these loud bangs came I could trace the reverberation in the wood,
and it seemed to me practically impossible that the Harpies could be
producing them by any unlawful methods, whilst sitting in full light and
with immovable faces, the daughter writing down the letters as quickly
as these were indicated.
One did not feel quite comfortable about making investigations in a
private house without being invited to do so.
Again, if the women were tricking, and I caught them at it, there was
always the chance of a disagreeable scene with people of their class.
On the other hand, it was losing a great opportunity, to refrain, as a
mere matter of courtesy. Also I comforted myself by thinking that if
anyone needed to feel ashamed it would be the ones who cheated, and not
the detective.
Public-domain text, read in full here on John Shaqi.
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