"Hexcuse me if I'm rather sharp, but it is 'ard to 'ave bin famous once
and to find yer 'ard-earned fame all gorn. Why, I can remember the time
when any hartist gentlemen as wanted to bring Venus or any other of them
'eathen young women into a picture, didn't feel 'e'd done all he could
to 'elp 'imself until 'e'd got me to pose for 'im. That's a fact, sir!
I'd a lovely figger when I was a gal. None o' the young women now, only
exceptin' Evarne, comes up to what models was in my young days, and
I--well, my gosh! I've 'ad a long string o' great painters waitin' their
turn till I was disengaged and could oblige."
"It must have been both pleasant and profitable to be in such demand."
Mrs. Harbert looked down with becoming modesty, and smoothed her apron
as she replied--
"Well, sir, it was, but I never let myself get huppish about it. I was
only as the Lord chose to make me. I used to say sometimes, 'Beauty is
as beauty does,' and 'Beauty is but a vain and doubtful good, a gloss, a
glass, a flower; lost, faded'--I forget the rest--'within the
hour'--Shakespeare. I've sat for Lord Leighton and Millais and Watts and
'eaps of others."
"Then you have posed for some quite well-known pictures, I suppose?"
"My gosh! a picture painted in those days, when Hart was properly
understood, 'adn't much chance of bein' thought 'ighly of if the hartist
'adn't taken care to git me to collaborate with 'im."
"Now, that's a really original idea of yours, Mrs. Harbert--that a
painter and his model collaborate. Did you tell it to the men you sat
for, and what did they say?"
"Well, sir, truth is, I doubt if any of the hartists that I've 'elped to
gain positions they'd never 'ave got to without me, would be willin' to
acknowledge it. But there, that's only the way o' the world. Shakespeare
'e wrote a song about hingratitude, as I dare say you've 'eard sung."
"Isn't it very interesting to be able to look back on the famous
pictures you've posed for?" inquired Geoff, with another fleeting glance
out of the window.
"It is that! Why, I was that proud the first time I was in a picture
that was the 'it of the season. I was 'Harry--Harry--hadney.'"
"Whom?"
"Ain't yer never 'eard of 'er, pore gal? She's bin deserted on a island
by some skulkin' brute, so she knelt down with next to nothin' on, and
'eld out both 'er 'ands to the sea. It was like this."
Rendered enthusiastic by her reminiscences, Philia sank down on the
carpet, leant forward, flung back her head and imploringly extended both
her hands. The effect had probably been charming when the model was
youthful and fair, but now it put a severe demand on Geoff's good
manners not to smile at the old dame.
Public-domain text, read in full here on John Shaqi.
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