"Besides getting the licence, then, all we have to do is to arrange with
a clergyman, and there need not be an hour's delay. It's not even
necessary to heed the canonical hours. I'd better go down to Doctors
Commons almost immediately and see about it."
Just then a girl's bright laugh fell upon their ears, footsteps were
heard mounting the stairs, and in a minute Maudie Meridith, Jack and
Pallister entered the studio. The little lady, though somewhat
breathless, was in high spirits. She evidently looked upon this visit
quite in the light of an adventure.
"Only fancy my getting here safe and sound, Mr. Danvers!" she exclaimed
in her gay voice. "It's just like a novelette, isn't it?"
Pallister speedily introduced the two young women to one another.
Although it was tacitly recognised that Geoff's engagement was not to be
made public knowledge just yet, Pallister had not been able to resist
the temptation of relating to Maudie the events that had arisen from
Winborough's visit to the studio on Monday afternoon. She therefore
gazed with the keenest interest upon the beautiful model who was one day
to become a countess, and greeted her with the utmost cordiality and
sweetness.
"Did you find it awfully difficult to escape by yourself?" inquired
Pallister, stumbling over the stand of his easel as he rushed about
making final preparations.
"It was fairly simple. I was so frightened at breakfast, for auntie
suddenly announced she was going out somewhere or other--anyhow, she
suggested that I should go with her. I was dreadfully upset, for I
couldn't think of any reasonable excuse for refusing."
"But an idea came at last?"
"Fortunately there was no need. Auntie, who was opening her letters,
came to one from Madame Constantia, her dressmaker, saying she should
call this morning. So I was able to slip away easily--lucky, wasn't it?"
"Rather! Now let's pose you for this wondrous picture."
After many different attempts, he turned to his friends with a satisfied
air: "I think that's perfect. What do you say, you others?"
Public opinion decided that the model's left arm had better be placed
negligently over the arm of the chair.
"Ah, that's a great improvement," confessed the artist.
"It can't possibly be altered for the better, I'm sure."
"How am I to pose my eyes?" inquired the docile model.
"That doesn't matter at present. Now, keep quite still."
Holding a stick of charcoal at arm's-length, Pallister unconsciously put
on a stern and impressive frown as he commenced to put leading lines
upon his big new canvas.
Public-domain text, read in full here on John Shaqi.
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