Even through the passion of rage that shook her, she felt a momentary
subduing chill of horror. She pressed her hands to either cheek, and
with strained features, parted lips and staring, dilated eyes, gazed
wildly into vacancy.
But this horrible inspiration was as a white light suddenly illuminating
the dense dark path along which she had been groping. She laughed--a low
laugh--terrible, for there was no ring of mirth therein.
"It is only justice--justice--justice--justice!" she cried, her voice
rising upon every word. "He is the devil's emissary. The world will be
well rid of him. It is justice--justice--justice!"
She had no more consecutive thoughts, no more reflection, no more
hesitation. But one word rang in her mind. Justice! Justice! Justice!
She rushed across the room with wild haste, and seized upon Andromache's
golden fetter that lay upon a chair. With anger, fiery indignation and
hatred, terror and mad love raging within her brain, all other emotions
were effectively excluded. Pity, caution, lawfulness, fear of
consequences--none of these found any place within her spirit in that
dreadful hour. If the souls of the dead can verily watch over those they
loved in life, broken indeed must be their heavenly peace and happiness.
Rather they must be oft-times in hell.
Softly she fastened one fetter around a strong portion of the openwork
carved wooden back of the couch; then, without a moment's warning, the
handcuff at the other end of the chain was snapped round the nearest
wrist of the prostrate figure. Futile was the immediate startled effort
of the death-doomed man to rise. In an instant Evarne had dragged away
those two quills through which was drawn the breath of life, and had
pressed the still slightly unset plaster over the tiny holes. Then
sinking on her knees, she seized her victim's remaining arm, clutching
it to her breast with a desperate vigour.
Her eyes were convulsively shut, her lips parted over clenched teeth, as
for what seemed an interminable period she was flung to and fro by the
frenzied struggles of the strong arm she held captive. But gradually her
task grew easier. Very soon that dire deed had taken its place amid the
record of things done.
Cautiously she slackened her grasp. The arm, released, drooped heavily
downwards from its shoulder, the hand resting inertly upon the floor.
Evarne rose to her feet. Unfastening both ends of the golden fetter, she
flung it back upon the chair, then left the studio without another
glance at the twisted, distorted form of that dead man whose lips would
speak no more words, either of devotion or of malice.
Deliberately she washed the plaster from her fingers. Her glance was
firm and high, her bearing resolute and undaunted. Yet, as she dried her
hands, she suddenly paused, and, leaning heavily on the edge of the
little sink, uttered a long, trembling sigh such as can well up only
from a cruelly over-burdened heart--a low, piteous moan--a stifled wail
of despair.
Public-domain text, read in full here on John Shaqi.
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